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FOUR. Strange Bedfellows— Incest in Trauma Documentaries

Daughter Rite; Some Nudity Required; the Electronic Diary Series; Just, Melvin; and Capturing the Friedmans
© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter I
  2. CONTENTS VII
  3. ILLUSTRATIONS IX
  4. ACKNOWLEDGMENTS XI
  5. PREFACE XV
  6. PART I. The Traumatic Paradox
  7. ONE. Catastrophe, Representation, and the Vicissitudes of Memory 1
  8. PART II. Personal Memory: The Case of Incest
  9. TWO. The Excision of Incestjrom Classical Hollywood Cinema 33
  10. THREE. Incest on Television and the Burden of Proof 49
  11. FOUR. Strange Bedfellows— Incest in Trauma Documentaries 82
  12. PART III. The Personal Is Public Historical: (Autobiographies of the Holocaust
  13. FIVE. The Last Days Is Not Shoah— Experiments in Holocaust Representation 125
  14. SIX. Disremembering the Holocaust 158
  15. Conclusion 189
  16. NOTES 195
  17. BIBLIOGRAPHY 223
  18. VIDEO / FILMOGRAPHY 237
  19. INDEX 241
Trauma Cinema
This chapter is in the book Trauma Cinema
https://doi.org/10.1525/9780520937932-007

Chapters in this book

  1. Frontmatter I
  2. CONTENTS VII
  3. ILLUSTRATIONS IX
  4. ACKNOWLEDGMENTS XI
  5. PREFACE XV
  6. PART I. The Traumatic Paradox
  7. ONE. Catastrophe, Representation, and the Vicissitudes of Memory 1
  8. PART II. Personal Memory: The Case of Incest
  9. TWO. The Excision of Incestjrom Classical Hollywood Cinema 33
  10. THREE. Incest on Television and the Burden of Proof 49
  11. FOUR. Strange Bedfellows— Incest in Trauma Documentaries 82
  12. PART III. The Personal Is Public Historical: (Autobiographies of the Holocaust
  13. FIVE. The Last Days Is Not Shoah— Experiments in Holocaust Representation 125
  14. SIX. Disremembering the Holocaust 158
  15. Conclusion 189
  16. NOTES 195
  17. BIBLIOGRAPHY 223
  18. VIDEO / FILMOGRAPHY 237
  19. INDEX 241
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