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7. Collective Listening: Postmodern Critical Processes and MTV
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Andrew Dell’Antonio
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Introduction: Beyond Structural Listening? 1
- 1. The Disciplined Subject of Musical Analysis 13
- 2. Musical Virtues 44
- 3. The Chosen One’s Choice 70
- 4. Beethoven Antihero: Sex, Violence, and the Aesthetics of Failure, or Listening to the Ninth Symphony as Postmodern Sublime 109
- 5. Passion/Mirrors (A Passion for the Violent Ineffable: Modernist Music and the Angel / In the Hall of Mirrors) 154
- 6. Uncertainty, Disorientation, and Loss as Responses to Musical Structure 173
- 7. Collective Listening: Postmodern Critical Processes and MTV 201
- 8. One Bar in Eight: Debussy and the Death of Description 233
- 9. The Return of the Aesthetic: Musical Formalism and Its Place in Political Critique 252
- Afterword: Toward the Next Paradigm of Musical Scholarship 279
- Bibliography 303
- List of Contributors 319
- Index 323
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Introduction: Beyond Structural Listening? 1
- 1. The Disciplined Subject of Musical Analysis 13
- 2. Musical Virtues 44
- 3. The Chosen One’s Choice 70
- 4. Beethoven Antihero: Sex, Violence, and the Aesthetics of Failure, or Listening to the Ninth Symphony as Postmodern Sublime 109
- 5. Passion/Mirrors (A Passion for the Violent Ineffable: Modernist Music and the Angel / In the Hall of Mirrors) 154
- 6. Uncertainty, Disorientation, and Loss as Responses to Musical Structure 173
- 7. Collective Listening: Postmodern Critical Processes and MTV 201
- 8. One Bar in Eight: Debussy and the Death of Description 233
- 9. The Return of the Aesthetic: Musical Formalism and Its Place in Political Critique 252
- Afterword: Toward the Next Paradigm of Musical Scholarship 279
- Bibliography 303
- List of Contributors 319
- Index 323