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T. S. Eliot War: Paint and Feathers, 1919

© 2003 University of California Press, Berkeley

© 2003 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. List of Illustrations XI
  4. Preface XIII
  5. Introduction 1
  6. Part I. Discovery, 1905–1918
  7. Introduction 25
  8. Maurice de Vlaminck: Discovery of African Art, 1906 27
  9. André Derain: Early Encounter with African Art, 1906 29
  10. Henri Matisse: First Encounter with African Art, 1906 31
  11. Pablo Picasso: Discovery of African Art, 1906–1907 33
  12. Gertrude Stein: Matisse and Picasso and African Art, 1906–1907 35
  13. Guillaume Apollinaire: On Museums, 1909 36
  14. Gelett Burgess: The Wild Men of Paris, 1910 38
  15. Roger Fry: The Art of the Bushmen, 1910 41
  16. Franz Marc: Letter to August Macke, 1911 47
  17. August Macke: Masks, 1912 48
  18. Emil Nolde: The Artistic Expressions of Primitive Peoples, 1912 51
  19. Elie Faure: The Tropics, 1912 54
  20. André Warnod: Decorative Arts and Artistic Curiosities, 1912 59
  21. Vladimir Markov: Negro Art, 1913 61
  22. Karl Scheffler: Picasso and African Sculpture Exhibition, Berlin, 1913 67
  23. Emil Waldmann: Picasso and African Sculpture Exhibition, Dresden, 1914 69
  24. Marius de Zayas: Statuary in Wood by African Savages: The Root of Modern Art, 1914 70
  25. Charles H. Caffin: Root of Art in Negro Carvings, 1914 73
  26. Kazimir Malevich: The Art of the Savage and Its Principles, 1915 75
  27. Carl Einstein: African Sculpture, 1915 77
  28. Marius de Zayas: African Negro Art and Modern Art, 1916 92
  29. Hermann Bahr: Expressionism, 1916 100
  30. Edgar L. Hewett: America's Archaeological Heritage, 1916 102
  31. Guillaume Apollinare: Concerning the Art of the Blacks, 1917 107
  32. Tristan Tzara: Note 6 on African Art, 1917 111
  33. Josef Čapek: Negro Sculpture, 1918 113
  34. Part II: New Attitudes and Awarenesses, 1919–1940
  35. Introduction 119
  36. T. S. Eliot War: Paint and Feathers, 1919 121
  37. Henri Clouzot and André Level: Savage Art, 1919 123
  38. Paul Guillaume: A New Aesthetic, 1919 125
  39. Florent Fels (Editor): Opinions On Negro Art, 1920 129
  40. André Salmon: Negro Art, 1920 133
  41. Roger Fry: Negro Sculpture at the Chelsea Book Club, 1920 145
  42. Félix Fénéon (Editor): Will Arts from Remote Places Be Admitted into The Louvre? 1920 148
  43. Walter Pach: The Art of the American Indian, 1920 167
  44. Marsden Hartley: Red Man Ceremonials, 1920 174
  45. Carlo Anti: The Sculpture of the African Negroes, 1923 180
  46. Florent Fels: Melanian Art at the Pavillon de Marsan, 1923 184
  47. Alain Locke: Note on African Art, 1924 187
  48. Henri Clouzot and André Level: The Lesson of an Exhibition, 1925 193
  49. Alain Locke: Legacy of the Ancestral Arts, 1925 197
  50. Georges Salles: Reflections on Negro Art, 1927 202
  51. Christian Zervos: Oceanic Works of Art and Today's Problems, 1929 205
  52. Paul Éluard: Savage Art, 1929 209
  53. Waldemar George: The Twilight of the Idols, 1930 212
  54. G. H. Luquet: Primitive Art, 1930 219
  55. Georges Bataille: Primitive Art, 1930 224
  56. John Sloan and Oliver Lafarge: Introduction to American Indian Art, 1931 231
  57. Eckart von Sydow: The Meaning of Primitive Art, 1932 234
  58. Romare Bearden: The Negro Artist and Modern Art, 1934 238
  59. James Johnson Sweeney: The Art of Negro Africa, 1935 242
  60. Alain Locke: African Art, 1935 246
  61. John D. Graham: Primitive Art and Picasso, 1937 248
  62. James A. Porter: The Negro Artist and Racial Bias, 1937 252
  63. Part III. The Ascendance of Primitivism, 1941–1983
  64. Introduction 259
  65. Frederic H. Douglas and René D'Harnoncourt: Indian Art of the United States, 1941 261
  66. Henry Moore: Primitive Art, 1941 267
  67. Adolph Gottlieb and Mark Rothko: The Portrait and the Modern Artist, 1943 272
  68. Ralph Linton and Paul S.Wingert: Arts of the South Seas, 1946 275
  69. Barnett Newman: Art of the South Seas, 1946 277
  70. Barnett Newman: Northwest Coast Indian Painting, 1946 282
  71. D. H. Kahnweiler: Negro Art and Cubism, 1948 284
  72. Jean Dubuffet: Anticultural Positions, 1951 292
  73. Jean Laude: French Painting and Negro Art, 1968 299
  74. Part IV: The Museum of Modern Art's 1984: Primitivism Exhibition and Its Aftermath
  75. Introduction 313
  76. William Rubin: Modernist Primitivism, 1984 315
  77. Thomas McEvilley: Doctor, Lawyer, Indian Chief, 1984 335
  78. James Clifford: Histories of the Tribal and the Modern, 1985 351
  79. Kirkvarnedoe: On the Claims and Critics of the "Primitivism" Show, 1985 369
  80. Hal Foster: The "Primitive" Unconscious of Modern Art, 1985 384
  81. Thomas McEvilley: The Global Issue, 1990 396
  82. Lucy Lippard: Naming, 1990 402
  83. Sieglinde Lemke: Primitivist Modernism, 1998 409
  84. Coda: Quotations from Artists and Writers 415
  85. Chronology of Events, Exhibitions, and Publications 441
  86. Selected Bibliography 453
  87. Index 469
Primitivism and Twentieth-Century Art
This chapter is in the book Primitivism and Twentieth-Century Art
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