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Nine. I modi

  • Susan McClary
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Modal Subjectivities
This chapter is in the book Modal Subjectivities
© 2019 University of California Press, Berkeley

© 2019 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Examples vii
  4. Acknowledgments ix
  5. One. Introduction: The Cultural Work of the Madrigal 1
  6. Two. Night and Deceit: Verdelot’s Machiavelli 38
  7. Three. The Desiring Subject, or Subject to Desire: Arcadelt 57
  8. Four. Radical Inwardness: Willaert’s Musica nova 78
  9. Five. The Prisonhouse of Mode: Cipriano de Rore 101
  10. Six. A Coney Island of the Madrigal: Wert and Marenzio 122
  11. Seven. The Luxury of Solipsism: Gesualdo 146
  12. Eight. The Mirtillo/Amarilli Controversy: Monteverdi 170
  13. Nine. I modi 194
  14. Appendix: Examples 221
  15. Index 369
https://doi.org/10.1525/9780520929159-012

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Examples vii
  4. Acknowledgments ix
  5. One. Introduction: The Cultural Work of the Madrigal 1
  6. Two. Night and Deceit: Verdelot’s Machiavelli 38
  7. Three. The Desiring Subject, or Subject to Desire: Arcadelt 57
  8. Four. Radical Inwardness: Willaert’s Musica nova 78
  9. Five. The Prisonhouse of Mode: Cipriano de Rore 101
  10. Six. A Coney Island of the Madrigal: Wert and Marenzio 122
  11. Seven. The Luxury of Solipsism: Gesualdo 146
  12. Eight. The Mirtillo/Amarilli Controversy: Monteverdi 170
  13. Nine. I modi 194
  14. Appendix: Examples 221
  15. Index 369
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