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7. Production

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© 2020 University of California Press, Berkeley

© 2020 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter I
  2. CONTENTS XI
  3. INTRODUCTION 1
  4. PART ONE: GETTING GOING
  5. 1. Documentary Styles 14
  6. 2. From Fieldwork to Filming 34
  7. PART TWO: NUTS AND BOLTS
  8. 3. Picture 94
  9. 4. Sound 171
  10. 5. Film or Video? Medium, Format, and Equipment 213
  11. PART THREE: STAGES OF FILMMAKING
  12. 6. Preproduction 280
  13. 7. Production 325
  14. 8. Postproduction 369
  15. 9. Distribution 460
  16. Appendix One: Release Forms 485
  17. Appendix Two: International Television Standards and Electricity Currents 488
  18. Appendix Three: Names and Addresses 494
  19. Appendix Four: Makes and Models 514
  20. Filmography 520
  21. Notes 527
  22. Acknowledgment 538
  23. Photo Credits 540
  24. Index 543
Cross-Cultural Filmmaking
This chapter is in the book Cross-Cultural Filmmaking
https://doi.org/10.1525/9780520915091-008

Chapters in this book

  1. Frontmatter I
  2. CONTENTS XI
  3. INTRODUCTION 1
  4. PART ONE: GETTING GOING
  5. 1. Documentary Styles 14
  6. 2. From Fieldwork to Filming 34
  7. PART TWO: NUTS AND BOLTS
  8. 3. Picture 94
  9. 4. Sound 171
  10. 5. Film or Video? Medium, Format, and Equipment 213
  11. PART THREE: STAGES OF FILMMAKING
  12. 6. Preproduction 280
  13. 7. Production 325
  14. 8. Postproduction 369
  15. 9. Distribution 460
  16. Appendix One: Release Forms 485
  17. Appendix Two: International Television Standards and Electricity Currents 488
  18. Appendix Three: Names and Addresses 494
  19. Appendix Four: Makes and Models 514
  20. Filmography 520
  21. Notes 527
  22. Acknowledgment 538
  23. Photo Credits 540
  24. Index 543
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