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The New Spirit and the Poets (1917-18)

  • Guillaume Apollinaire
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Symbolist Art Theories
This chapter is in the book Symbolist Art Theories
© 1994 University of California Press, Berkeley

© 1994 University of California Press, Berkeley

Chapters in this book

  1. Frontmatter I
  2. CONTENTS VII
  3. List of Illustrations XI
  4. Acknowledgments XV
  5. Introduction XVII
  6. PROLOGUE: BAUDELAIRE, DELACROIX, AND THE PREMISES OF SYMBOLIST AESTHETICS
  7. Introduction 1
  8. Correspondences (c. 1852-56?) 8
  9. 1 ROMANTIC SYMBOLISTS
  10. Introduction 12
  11. Hand and Soul (1850) 17
  12. On His Beata Beatrix (1871) 21
  13. Letters to His Family (1854) 24
  14. Poems by William Morris (1868) 26
  15. Memories of Burne-Jones (1898) 30
  16. An Early Appraisal of Puvis de Chavannes (1861) 35
  17. Pierre Puvis de Chavannes (1886) 40
  18. Gustave Moreau (1889) 44
  19. Fine Arts: Odilon Redon (1882) 48
  20. Excerpts from To Oneself (1898-1909) 53
  21. Odilon Redon (1894) 57
  22. A Symbolist Painter: Fernand Khnopff (1887) 59
  23. The Ten O'Clock Lecture (1885) 65
  24. Bocklin's Villas by the Sea (1895) 71
  25. Conversations with Paul Gsell (1911) 75
  26. 2 DECORATIVE ARTS AND ARCHITECTURE
  27. Introduction86 80
  28. Gleanings from the Great Exhibition (1851) 86
  29. The Decorative Arts in Modern Life (1877) 91
  30. The Spiritual in Art (1884) 95
  31. In Defense of the Tower (1887) 98
  32. At the Universal Exhibition (1889) 102
  33. Ornament in Architecture (1892) 110
  34. A Clean Sweep for the Future of Art (1894) 117
  35. 3 LITERARY SYMBOLISM
  36. Introduction 125
  37. Baudelaire and the Decadent Movement (1881) 128
  38. The Art of Poetry (1874) 132
  39. The Unsettling of All the Senses (1871) 136
  40. Interview with Stéphane Mallarmé (1891) 139
  41. Small Talk—the Theater (1890) 143
  42. Notes on Wagnerian Painting (1886) 147
  43. A Literary Manifesto—Symbolism (1886) 150
  44. 4 THE POST-IMPRESSIONISTS
  45. Introduction 153
  46. Neo-Impressionism (1887) 157
  47. Aesthetic and Technical Note (1890) 164
  48. Introduction to a Scientific Aesthetics (1885) 167
  49. Seurat (1891) 172
  50. Anarchist Sympathies (1894) 175
  51. Cloisonism (1888) 177
  52. Ensor's Vision (1908) 182
  53. Letters to Emile Schuffenecker (1885, 1888) 185
  54. Symbolism in Painting: Paul Gauguin (1891) 192
  55. Letter to André Fontainas (1899) 204
  56. Letters on The Night Café (1888) 211
  57. The Lonely Ones—Vincent van Gogh (1890) 218
  58. Cézanne (1888) 227
  59. Excerpts from His Letters (1904, 1906) 230
  60. Nabi Principles (1889) 235
  61. The Nabis in 1890 239
  62. The "Saint-Cloud" Manifesto (1889-90?) 242
  63. The Mission of the Artist (1897) 245
  64. 5 THE ARTISTS OF THE SOUL
  65. Introduction 252
  66. The Salons of 1895 255
  67. Materialism in Art (1881) 261
  68. In Search of the Holy Grail (1888) 267
  69. Florence, Botticelli, La Primavera (1896) 270
  70. The Artists of the Soul (1896) 276
  71. EPILOGUE: FORMALIST CRITICISM AND HARBINGERS OF SURREALISM
  72. Introduction 280
  73. Post Impressionism (1911) 286
  74. The French Post-Impressionists (1912) 293
  75. Cézanne 's Pure Form (1914) 295
  76. The Funeral of Style (1902) 299
  77. The Dissociation of Ideas (1900) 300
  78. Barnum (1902) 306
  79. The New Spirit and the Poets (1917-18) 308
  80. Notes 315
  81. Index 373
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