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Aesthetic and Technical Note (1890)
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Chapters in this book
- Frontmatter I
- CONTENTS VII
- List of Illustrations XI
- Acknowledgments XV
- Introduction XVII
-
PROLOGUE: BAUDELAIRE, DELACROIX, AND THE PREMISES OF SYMBOLIST AESTHETICS
- Introduction 1
- Correspondences (c. 1852-56?) 8
-
1 ROMANTIC SYMBOLISTS
- Introduction 12
- Hand and Soul (1850) 17
- On His Beata Beatrix (1871) 21
- Letters to His Family (1854) 24
- Poems by William Morris (1868) 26
- Memories of Burne-Jones (1898) 30
- An Early Appraisal of Puvis de Chavannes (1861) 35
- Pierre Puvis de Chavannes (1886) 40
- Gustave Moreau (1889) 44
- Fine Arts: Odilon Redon (1882) 48
- Excerpts from To Oneself (1898-1909) 53
- Odilon Redon (1894) 57
- A Symbolist Painter: Fernand Khnopff (1887) 59
- The Ten O'Clock Lecture (1885) 65
- Bocklin's Villas by the Sea (1895) 71
- Conversations with Paul Gsell (1911) 75
-
2 DECORATIVE ARTS AND ARCHITECTURE
- Introduction86 80
- Gleanings from the Great Exhibition (1851) 86
- The Decorative Arts in Modern Life (1877) 91
- The Spiritual in Art (1884) 95
- In Defense of the Tower (1887) 98
- At the Universal Exhibition (1889) 102
- Ornament in Architecture (1892) 110
- A Clean Sweep for the Future of Art (1894) 117
-
3 LITERARY SYMBOLISM
- Introduction 125
- Baudelaire and the Decadent Movement (1881) 128
- The Art of Poetry (1874) 132
- The Unsettling of All the Senses (1871) 136
- Interview with Stéphane Mallarmé (1891) 139
- Small Talk—the Theater (1890) 143
- Notes on Wagnerian Painting (1886) 147
- A Literary Manifesto—Symbolism (1886) 150
-
4 THE POST-IMPRESSIONISTS
- Introduction 153
- Neo-Impressionism (1887) 157
- Aesthetic and Technical Note (1890) 164
- Introduction to a Scientific Aesthetics (1885) 167
- Seurat (1891) 172
- Anarchist Sympathies (1894) 175
- Cloisonism (1888) 177
- Ensor's Vision (1908) 182
- Letters to Emile Schuffenecker (1885, 1888) 185
- Symbolism in Painting: Paul Gauguin (1891) 192
- Letter to André Fontainas (1899) 204
- Letters on The Night Café (1888) 211
- The Lonely Ones—Vincent van Gogh (1890) 218
- Cézanne (1888) 227
- Excerpts from His Letters (1904, 1906) 230
- Nabi Principles (1889) 235
- The Nabis in 1890 239
- The "Saint-Cloud" Manifesto (1889-90?) 242
- The Mission of the Artist (1897) 245
-
5 THE ARTISTS OF THE SOUL
- Introduction 252
- The Salons of 1895 255
- Materialism in Art (1881) 261
- In Search of the Holy Grail (1888) 267
- Florence, Botticelli, La Primavera (1896) 270
- The Artists of the Soul (1896) 276
-
EPILOGUE: FORMALIST CRITICISM AND HARBINGERS OF SURREALISM
- Introduction 280
- Post Impressionism (1911) 286
- The French Post-Impressionists (1912) 293
- Cézanne 's Pure Form (1914) 295
- The Funeral of Style (1902) 299
- The Dissociation of Ideas (1900) 300
- Barnum (1902) 306
- The New Spirit and the Poets (1917-18) 308
- Notes 315
- Index 373
Chapters in this book
- Frontmatter I
- CONTENTS VII
- List of Illustrations XI
- Acknowledgments XV
- Introduction XVII
-
PROLOGUE: BAUDELAIRE, DELACROIX, AND THE PREMISES OF SYMBOLIST AESTHETICS
- Introduction 1
- Correspondences (c. 1852-56?) 8
-
1 ROMANTIC SYMBOLISTS
- Introduction 12
- Hand and Soul (1850) 17
- On His Beata Beatrix (1871) 21
- Letters to His Family (1854) 24
- Poems by William Morris (1868) 26
- Memories of Burne-Jones (1898) 30
- An Early Appraisal of Puvis de Chavannes (1861) 35
- Pierre Puvis de Chavannes (1886) 40
- Gustave Moreau (1889) 44
- Fine Arts: Odilon Redon (1882) 48
- Excerpts from To Oneself (1898-1909) 53
- Odilon Redon (1894) 57
- A Symbolist Painter: Fernand Khnopff (1887) 59
- The Ten O'Clock Lecture (1885) 65
- Bocklin's Villas by the Sea (1895) 71
- Conversations with Paul Gsell (1911) 75
-
2 DECORATIVE ARTS AND ARCHITECTURE
- Introduction86 80
- Gleanings from the Great Exhibition (1851) 86
- The Decorative Arts in Modern Life (1877) 91
- The Spiritual in Art (1884) 95
- In Defense of the Tower (1887) 98
- At the Universal Exhibition (1889) 102
- Ornament in Architecture (1892) 110
- A Clean Sweep for the Future of Art (1894) 117
-
3 LITERARY SYMBOLISM
- Introduction 125
- Baudelaire and the Decadent Movement (1881) 128
- The Art of Poetry (1874) 132
- The Unsettling of All the Senses (1871) 136
- Interview with Stéphane Mallarmé (1891) 139
- Small Talk—the Theater (1890) 143
- Notes on Wagnerian Painting (1886) 147
- A Literary Manifesto—Symbolism (1886) 150
-
4 THE POST-IMPRESSIONISTS
- Introduction 153
- Neo-Impressionism (1887) 157
- Aesthetic and Technical Note (1890) 164
- Introduction to a Scientific Aesthetics (1885) 167
- Seurat (1891) 172
- Anarchist Sympathies (1894) 175
- Cloisonism (1888) 177
- Ensor's Vision (1908) 182
- Letters to Emile Schuffenecker (1885, 1888) 185
- Symbolism in Painting: Paul Gauguin (1891) 192
- Letter to André Fontainas (1899) 204
- Letters on The Night Café (1888) 211
- The Lonely Ones—Vincent van Gogh (1890) 218
- Cézanne (1888) 227
- Excerpts from His Letters (1904, 1906) 230
- Nabi Principles (1889) 235
- The Nabis in 1890 239
- The "Saint-Cloud" Manifesto (1889-90?) 242
- The Mission of the Artist (1897) 245
-
5 THE ARTISTS OF THE SOUL
- Introduction 252
- The Salons of 1895 255
- Materialism in Art (1881) 261
- In Search of the Holy Grail (1888) 267
- Florence, Botticelli, La Primavera (1896) 270
- The Artists of the Soul (1896) 276
-
EPILOGUE: FORMALIST CRITICISM AND HARBINGERS OF SURREALISM
- Introduction 280
- Post Impressionism (1911) 286
- The French Post-Impressionists (1912) 293
- Cézanne 's Pure Form (1914) 295
- The Funeral of Style (1902) 299
- The Dissociation of Ideas (1900) 300
- Barnum (1902) 306
- The New Spirit and the Poets (1917-18) 308
- Notes 315
- Index 373