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11. Marlon Brando in On the Waterfront (1954)
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction 1
-
Part One. Performance in the Age of Mechanical Reproduction
- 2. Protocols 9
- 3. Rhetoric and Expressive Technique 34
- 4. Expressive Coherence and Performance within Performance 68
- 5. Accessories 83
-
Part Two. Star Performances
- 6. Lillian Gish in True Heart Susie (1919) 99
- 7. Charles Chaplin in The Gold Rush (1925) 114
- 8. Marlene Dietrich in Morocco (1930) 131
- 9. James Cagney in Angels with Dirty Faces (1938) 157
- 10. Katharine Hepburn in Holiday (1938) 174
- 11. Marlon Brando in On the Waterfront (1954) 193
- 12. Cary Grant in North by North west (1959) 213
-
Part Three. Film as a Performance Text
- 13. Rear Window (1954) 239
- 14. The King of Comedy (1983) 262
- Selected Bibliography 287
- Index 295
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction 1
-
Part One. Performance in the Age of Mechanical Reproduction
- 2. Protocols 9
- 3. Rhetoric and Expressive Technique 34
- 4. Expressive Coherence and Performance within Performance 68
- 5. Accessories 83
-
Part Two. Star Performances
- 6. Lillian Gish in True Heart Susie (1919) 99
- 7. Charles Chaplin in The Gold Rush (1925) 114
- 8. Marlene Dietrich in Morocco (1930) 131
- 9. James Cagney in Angels with Dirty Faces (1938) 157
- 10. Katharine Hepburn in Holiday (1938) 174
- 11. Marlon Brando in On the Waterfront (1954) 193
- 12. Cary Grant in North by North west (1959) 213
-
Part Three. Film as a Performance Text
- 13. Rear Window (1954) 239
- 14. The King of Comedy (1983) 262
- Selected Bibliography 287
- Index 295