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Comedy/Cinema/Theory
-
Edited by:
Andrew Horton
Language:
English
Published/Copyright:
2023
About this book
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together.
Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.
Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe.
As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore th
Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.
Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe.
As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore th
Author / Editor information
Horton Andrew :
Andrew S. Horton is Professor of English at Loyola University, New Orleans. He is the author of George Roy Hill and the forthcoming Soviet Cinema under Glasnost.
Topics
Publicly Available Download PDF |
I |
Publicly Available Download PDF |
V |
Publicly Available Download PDF |
VII |
Andrew Horton Requires Authentication Unlicensed Licensed |
1 |
Problematics of Film Comedy
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Noël Carroll Requires Authentication Unlicensed Licensed |
25 |
Peter Lehman Requires Authentication Unlicensed Licensed |
43 |
Lucy Fischer Requires Authentication Unlicensed Licensed |
60 |
Stephen Mamber Requires Authentication Unlicensed Licensed |
79 |
Charles Eidsvik Requires Authentication Unlicensed Licensed |
91 |
Comic Occasions
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William Paul Requires Authentication Unlicensed Licensed |
109 |
Dana Polan Requires Authentication Unlicensed Licensed |
131 |
Brian Henderson Requires Authentication Unlicensed Licensed |
153 |
Peter Brunette Requires Authentication Unlicensed Licensed |
174 |
Scott Bukatman Requires Authentication Unlicensed Licensed |
188 |
Ruth Perlmutter Requires Authentication Unlicensed Licensed |
206 |
Andrew Horton Requires Authentication Unlicensed Licensed |
222 |
Requires Authentication Unlicensed Licensed |
241 |
Requires Authentication Unlicensed Licensed |
245 |
Requires Authentication Unlicensed Licensed |
247 |
Publishing information
Pages and Images/Illustrations in book
eBook published on:
September 1, 2023
eBook ISBN:
9780520910256
Edition:
Reprint 2019
Pages and Images/Illustrations in book
Main content:
256
eBook ISBN:
9780520910256
Keywords for this book
film comedy; comedy; film and comedy; nature of comedy; humor; movie studies; film studies; film criticism; movie criticism; genre films; the three stooges; charlie chaplin; alfred hitchcock; woody allen; jerry lewis; preston sturges; frank tashlin; dusan makavejev; violence and comedy; cynical humor; sight gag; penis size jokes; matricide; radical meta cinema; mock realism; futility; comic occasions; screwball; cartoons; parody; film and television