Chapters in this book

1. Frontmatter I
2. CONTENTS IX
3. FOREWORD XI
4. Part I
5. CONCERNING AN ADORATION 3
6. Part II
7. THE DOUBLE-EDGED MIND: INTUITION AND THE INTELLECT 13
8. MAX WERTHEIMER AND GESTALT PSYCHOLOGY 31
9. THE OTHER GUSTAV THEODOR FECHNER 39
10. WILHELM WORRINGER ON ABSTRACTION AND EMPATHY 50
11. Part III
12. UNITY AND DIVERSITY OF THE ARTS 65
13. A STRICTURE ON SPACE AND TIME 78
14. LANGUAGE, IMAGE, AND CONCRETE POETRY 90
15. ON THE NATURE OF PHOTOGRAPHY 102
16. SPLENDOR AND MISERY OF THE PHOTOGRAPHER 115
17. THE TOOLS OF ART - OLD AND NEW 123
18. Part IV
19. A PLEA FOR VISUAL THINKING 135
20. NOTES ON THE IMAGERY OF DANTE’S PURGATORIO 153
21. INVERTED PERSPECTIVE AND THE AXIOM OF REALISM 159
22. BRUNELLESCHI’S PEEPSHOW 186
23. THE PERCEPTION OF MAPS 194
24. Part V
25. THE RATIONALIZATION OF COLOR 205
26. THE RATIONALIZATION OF COLOR 214
27. Part VI
28. THE PERCEPTUAL CHALLENGE IN ART EDUCATION 231
29. VICTOR LOWENFELD AND TACTILITY 240
30. ART AS THERAPY 252
31. Part VII
32. STYLE AS A GESTALT PROBLEM 261
33. ON DUPLICATION 274
34. ON THE LATE STYLE 285
35. Part VIII
36. OBJECTIVE PERCEPTS, OBJECTIVE VALUES 297
37. INDEX 327