Chapters in this book

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Acknowledgments xi
5. Note on Transliteration and Translation xv
6. Introduction 1
7. 1. To Democratize Cinema: Filmmakers, Critics, and Bootleggers in the US Occupation 15
8. 2. In Search of Democracy: Cinema in the Postwar Classroom and Its Grassroots Network 33
9. 3. At the Margins of Freedom: A Day Off (1968) and Film Censorship 52
10. 4. Beyond the Marginalization of Women: Khaidu as a Feminist Experimental Film Collective 71
11. 5. Toward a New Cinema: The Seoul Film Collective’s Aesthetic and Political Subversion 90
12. Conclusion 108
13. Notes 119
14. Bibliography 145
15. Index 159