Chapter
Publicly Available
Contents
-
Charles Kronengold
Chapters in this book
- Frontmatter i
- Contents v
- List of Musical Examples vii
- Note on Musical Examples ix
- Introduction: Listening for Genres 1
- 1. Unengaging Histories: The Pop Song’s “More” and Melancholy Democracy, 1968–69 43
- 2. Space Issues: The Seventies-Soul Complex 89
- 3. Exchange Theories: Disco, New Wave, and Album-Oriented Rock 138
- 4. Senses: Nocturnes among the Smaller Genres 171
- 5. Forces: The Late-Modern Concerto 200
- Afterword 249
- Acknowledgments 257
- Notes 259
- Index 325
Chapters in this book
- Frontmatter i
- Contents v
- List of Musical Examples vii
- Note on Musical Examples ix
- Introduction: Listening for Genres 1
- 1. Unengaging Histories: The Pop Song’s “More” and Melancholy Democracy, 1968–69 43
- 2. Space Issues: The Seventies-Soul Complex 89
- 3. Exchange Theories: Disco, New Wave, and Album-Oriented Rock 138
- 4. Senses: Nocturnes among the Smaller Genres 171
- 5. Forces: The Late-Modern Concerto 200
- Afterword 249
- Acknowledgments 257
- Notes 259
- Index 325