Camera Palaestina
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Issam Nassar
, Stephen Sheehi und Salim Tamari
Über dieses Buch
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Camera Palaestina is a critical exploration of Jerusalemite chronicler Wasif Jawhariyyeh (1904–1972) and his seven photography albums entitled The Illustrated History of Palestine. Jawhariyyeh’s nine hundred images narrate the rich cultural and political milieu of Ottoman and Mandate Palestine. Nassar, Sheehi, and Tamari locate this archive at the juncture between the history of photography in the Arab world and the social history of Palestine. Shedding new light on this foundational period, the authors explore not just major historical events and the development of an urban bourgeois lifestyle but a social field of vision of Palestinian life as exemplified in the Jerusalem community. Tracking the interplay between photographic images, the authors offer evidence of the unbroken field of material, historical, and collective experience from the living past to the living present of Arab Palestine.
Information zu Autoren / Herausgebern
Issam Nassar is Chair of History at Doha Institute for Graduate Studies and coeditor of Jerusalem Quarterly. He is the coauthor of The Storyteller of Jerusalem: The Life and Times of Wasif Jawahariyyeh and Gardens of Sand
Stephen Sheehi is Sultan Qaboos Professor of Middle East Studies and Director of the Decolonizing Humanities Project at William & Mary. He is coauthor of Psychoanalysis Under Occupation: Practicing Resistance in Palestine and author of The Arab Imago: A Social History of Indigenous Photography, 1860–1910.
Salim Tamari is Senior Fellow at the Institute for Palestine Studies and Director of its Jerusalem Studies Program. He is also Professor of Sociology, Emeritus at Birzeit University and the author of The Great War and the Remaking of Palestine, Year of the Locust, and The Mountain Against the Sea.
Fachgebiete
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Frontmatter
i -
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Contents
vii -
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List of Figures
ix -
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Acknowledgments
xiii -
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Foreword
xv -
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Note on Translations and Transliterations
xvii -
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1 Ways of Seeing the Palestinian Visual Archive
1 -
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2 The Archival and Narrative Nature of the Photographic Albums of Wasif Jawhariyyeh
20 -
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3. Visual Interlude: Photographic Images from Ottoman and Mandate Palestine
45 -
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4. Patronage and Photography: Hussein Hashim’s Melancholic Journey
78 -
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5. Our Photography: Refusing the 1948 Partition of the Sensible
109 -
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6. Epilogue: The Presence and Potential of Palestine
154 -
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Notes
165 -
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Index
179