Acknowledgments

Lawrence Kramer

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Acknowledgments

Lawrence Kramer

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Kramer, Lawrence. "Acknowledgments". Music as Cultural Practice, 1800-1900, edited by Lawrence Kramer, Berkeley: University of California Press, 1991, pp. XV-XVI. https://doi.org/10.1525/9780520354555-004

Kramer, L. (1991). Acknowledgments. In L. Kramer (Ed.), Music as Cultural Practice, 1800-1900 (pp. XV-XVI). Berkeley: University of California Press. https://doi.org/10.1525/9780520354555-004

Kramer, L. 1991. Acknowledgments. In: Kramer, L. ed. Music as Cultural Practice, 1800-1900. Berkeley: University of California Press, pp. XV-XVI. https://doi.org/10.1525/9780520354555-004

Kramer, Lawrence. "Acknowledgments" In Music as Cultural Practice, 1800-1900 edited by Lawrence Kramer, XV-XVI. Berkeley: University of California Press, 1991. https://doi.org/10.1525/9780520354555-004

Kramer L. Acknowledgments. In: Kramer L (ed.) Music as Cultural Practice, 1800-1900. Berkeley: University of California Press; 1991. p.XV-XVI. https://doi.org/10.1525/9780520354555-004

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Chapters in this book

Frontmatter I
Contents V
List of Figures VII
List of Musical Examples IX
Preface XI
Acknowledgments XV
1 TROPES AND WINDOWS: An Outline of Musical Hermeneutics 1
2 BEETHOVEN'S TWO-MOVEMENT PIANO SONATAS AND THE UTOPIA OF ROMANTIC ESTHETICS 21
3 IMPOSSIBLE OBJECTS: Apparitions, Reclining Nudes, and Chopin's Prelude in A Minor 72
4 LISZT, GOETHE, AND THE DISCOURSE OF GENDER 102
5 MUSICAL FORM AND FIN-DE-SIÈCLE SEXUALITY 135
6 "AS IF A VOICE WERE IN THEM": Music, Narrative, and Deconstruction 176
Appendix: Texts and Translations 215
Textual Sources 219
Index 221

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https://doi.org/10.1525/9780520354555-004

Chapters in this book

Frontmatter I
Contents V
List of Figures VII
List of Musical Examples IX
Preface XI
Acknowledgments XV
1 TROPES AND WINDOWS: An Outline of Musical Hermeneutics 1
2 BEETHOVEN'S TWO-MOVEMENT PIANO SONATAS AND THE UTOPIA OF ROMANTIC ESTHETICS 21
3 IMPOSSIBLE OBJECTS: Apparitions, Reclining Nudes, and Chopin's Prelude in A Minor 72
4 LISZT, GOETHE, AND THE DISCOURSE OF GENDER 102
5 MUSICAL FORM AND FIN-DE-SIÈCLE SEXUALITY 135
6 "AS IF A VOICE WERE IN THEM": Music, Narrative, and Deconstruction 176
Appendix: Texts and Translations 215
Textual Sources 219
Index 221

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Acknowledgments

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