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Introduction: Philosophy and Contemporary
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Arthur C. Danto
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Chapters in this book
- Frontmatter I
- Contents VII
- Preface IX
- Introduction: Philosophy and Contemporary 1
- 1. The "Original Creative Principle": Motherwell and Psychic Automatism 13
- 2. Art-in-Response 39
- 3. The Philosopher as Andy Warhol 61
- 4. Illustrating a Philosophical Text: Mel Bochner's Wittgenstein Drawings 84
- 5. Giotto and the Stench of Lazarus 106
- 6. Postmodern Art and Concrete Selves: The Model of the Jewish Museum 123
- 7. The Seat of the Soul: Three Chairs 144
- 8. Munakata in New York: A Memory of the 1950s 164
- 9. Louis Kahn as Archai-Tekt 185
- 10. Moving Pictures 205
- 11. Gettysburg 233
- 12. Art and Taxpayers 251
- 13. Art and the Discourse of Nations 254
- Index 259
Chapters in this book
- Frontmatter I
- Contents VII
- Preface IX
- Introduction: Philosophy and Contemporary 1
- 1. The "Original Creative Principle": Motherwell and Psychic Automatism 13
- 2. Art-in-Response 39
- 3. The Philosopher as Andy Warhol 61
- 4. Illustrating a Philosophical Text: Mel Bochner's Wittgenstein Drawings 84
- 5. Giotto and the Stench of Lazarus 106
- 6. Postmodern Art and Concrete Selves: The Model of the Jewish Museum 123
- 7. The Seat of the Soul: Three Chairs 144
- 8. Munakata in New York: A Memory of the 1950s 164
- 9. Louis Kahn as Archai-Tekt 185
- 10. Moving Pictures 205
- 11. Gettysburg 233
- 12. Art and Taxpayers 251
- 13. Art and the Discourse of Nations 254
- Index 259