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X CHANGING VIEWS OF WESTERN ART
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Dorontchenkov/Rougle
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- PREFACE AND ACKNOWLEDGMENTS xiii
- INTRODUCTION 1
-
RUSSIAN CRITICISM BEFORE THE REVOLUTION 1890s–1917
- I FACING EUROPE: IMPRESSIONS, CONTACTS, AND CRITICISMS 27
- II WESTERN INFLUENCES: SYMBOLISM, IMPRESSIONISM, POST-IMPRESSIONISM, AND THE GOLDEN FLEECE EXHIBITIONS 55
- III MATISSE, PICASSO, AND THE SHCHUKIN AND MOROZOV COLLECTIONS 77
- IV CUBISM AND FUTURISM 127
- V ART AND NATIONALITY: POLEMICS AND REACTIONS 167
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RUSSIAN AND SOVIET CRITICISM AFTER THE REVOLUTION
- VI THE INTERNATIONAL OF ART AND THE GREAT UTOPIA 189
- VII NEW VISIONS OF WESTERN ART 215
- VIII EXPRESSIONISM AND GEORGE GROSZ 239
- IX CREATING A MODEL FOR REVOLUTIONARY ART 257
- X CHANGING VIEWS OF WESTERN ART 275
- XI THE END OF AN ERA 305
- CHRONOLOGY 311
- ACRONYMS 323
- SELECTED BIBLIOGRAPHY 325
- ILLUSTRATIONS 331
- INDEX 333
Chapters in this book
- Frontmatter i
- CONTENTS vii
- PREFACE AND ACKNOWLEDGMENTS xiii
- INTRODUCTION 1
-
RUSSIAN CRITICISM BEFORE THE REVOLUTION 1890s–1917
- I FACING EUROPE: IMPRESSIONS, CONTACTS, AND CRITICISMS 27
- II WESTERN INFLUENCES: SYMBOLISM, IMPRESSIONISM, POST-IMPRESSIONISM, AND THE GOLDEN FLEECE EXHIBITIONS 55
- III MATISSE, PICASSO, AND THE SHCHUKIN AND MOROZOV COLLECTIONS 77
- IV CUBISM AND FUTURISM 127
- V ART AND NATIONALITY: POLEMICS AND REACTIONS 167
-
RUSSIAN AND SOVIET CRITICISM AFTER THE REVOLUTION
- VI THE INTERNATIONAL OF ART AND THE GREAT UTOPIA 189
- VII NEW VISIONS OF WESTERN ART 215
- VIII EXPRESSIONISM AND GEORGE GROSZ 239
- IX CREATING A MODEL FOR REVOLUTIONARY ART 257
- X CHANGING VIEWS OF WESTERN ART 275
- XI THE END OF AN ERA 305
- CHRONOLOGY 311
- ACRONYMS 323
- SELECTED BIBLIOGRAPHY 325
- ILLUSTRATIONS 331
- INDEX 333