9. Martini

Chapters in this book

1. Frontmatter I
2. Contents VII
3. List of Illustrations XI
4. List of Tables XIII
5. Acknowledgments XV
6. Abbreviations XVII
7. Introduction 1
8. Part One. Musicians at St. Peter's 9
9. 1. Before the Hiring of Northerners, 1380-1447 11
10. 2. Northern Musicians at St. Peter's, 1 4 4 7 - 1 5 1 3 33
11. 3. Organs 60
12. 4. SPB80 and the St. Peter's Manuscript Tradition 80
13. 5. The Patronage of Northerners at St. Peter's 111
14. Part Two. Masses: Attributions and Associations
15. 6. Musical Connoisseurship 141
16. 7. Faugues 172
17. 8. Caron 203
18. 9. Martini 228
19. Part Three. Northerners at St. Peter's and the Cultural Position of Polyphony
20. 10. Contrapuntal Allusions in Polyphonic Masses 249
21. 11. Northern Polyphony, Northern Composers 280
22. 12. The Changing Status of Northerners at St. Peter's 298
23. Appendix I. Archival Records Pertaining to Music at St. Peter's 315
24. Appendix 2. Musical Personnel at St. Peter's, 1421-1508 329
25. Appendix 3. Nationality of St. Peter's Singers (1477-1513), Known or Presumed 337
26. Appendix 4. Inventory of SPB80 and List of Manuscript Abbreviations 340
27. Appendix 5. Occurrences of the Motive d-f-e-a' in Works from circa 1430 to 1470 349
28. Illustrations 353
29. Tables 367
30. Bibliography 403
31. Index 429