Chapters in this book

1. Frontmatter I
2. Contents VII
3. Plates IX
4. Acknowledgments XIII
5. Introduction XV
6. A Note on Methodology XIX
7. 1. Innocence: The Closed Form 1
8. 2. Innocence and Experience: Good and Evil Closed Forms 18
9. 3. Energy: The Open Form 40
10. 4. Romantic Classicism and Blake's Art, 1773—1795 102
11. 5. Vaia, or The Four Zoas: Blake's Concept of Form, 1795—1810 165
12. 6. The Human Form Divine 214
13. 7. The Human Form Divine in Blake's Late Art 243
14. 8. Jerusalem 286
15. Index 337