Cover

Artikel in diesem Heft

1. Cover
2. Frontmatter
3. Aufsätze
4. Archival Absences: Towards an Incomplete History of Photography
5. Absent Pictures, Present Images: How Time Reshapes the Photographic Archive
6. Experimental Metallic Surfaces and Absent Images: On the Materiality of William Henry Fox Talbot’s Photomechanical Practice
7. Postal Profusion and Archival Scarcity: ­Jacob Vitta’s Photographs of Mining in the Gold Coast Colony as Prints and Postcards
8. Atrocities Absent from the Archive: Bauhaus Photographer Fritz Heinze, from Anti-Nazi to Conformist
9. Absent Essentials: Queer Visualizations of Outlawed Nudity and Sex in Mid-Twentieth-Century Physique Magazines and Photographs
10. Absence and Repair: Encounters between the Photographic Archive of the United Fruit Company and Banana Craze’s Database of Contemporary Art of the Americas
11. The Garbage Bag Archive: Disposal and Disposability in Family Photo Collections
12. Present or Absent? Reframing Photographic Discovery and Interpretation with Computer Vision
13. Buchbesprechungen
14. Kartieren und Kleben
15. Reitermonumente als Ausdruck politischer Macht
16. In Praise of Process