Summary
This paper proposes the publication of the hypocephalus Berlin ÄM 17336, characterized by bizarre iconographic details and poor hieroglyphic writing. Vignettes and texts in specimens of similar typology are examined and compared. The texts around the edge and in the various registers differ from those in the extant corpus of hypocephali, but in general they can be attributed to known typologies of text. Although the odd iconography and the poor handwriting suggest that the specimen is a modern forgery, other elements indicate that it could have been made in the Roman period by an unskilled person enticed by satirical material.
Published Online: 2017-7-7
Published in Print: 2017-6-7
© 2017 by De Gruyter
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Articles in the same Issue
- Frontmatter
- The Geographical and Administrative Landscape of Lower Middle Egypt in Text B of the Wilbour Papyrus
- New Fragments of Papyrus Berlin 3024
- Out of the mouths of babes: the -child in Ancient Egypt
- Ostrakon Amarna 297
- Haben Otto Neugebauer und William Feller die Niljahre richtig gemittelt?
- A Hypocephalus with Odd Iconography and Poor Writing in the Berlin Museum
- Von Malachit zu Kupfer
- Überlegungen zu Heinrich Schäfers Von ägyptischer Kunst und zu Hedwig Fechheimers Plastik der Aegypter
- Jean Clédat à Meir (1899–1901)
Keywords for this article
Hypocephalus;
Berlin, Ägyptisches Museum 17336;
Book of the Dead, spell 162;
Forgery
Articles in the same Issue
- Frontmatter
- The Geographical and Administrative Landscape of Lower Middle Egypt in Text B of the Wilbour Papyrus
- New Fragments of Papyrus Berlin 3024
- Out of the mouths of babes: the -child in Ancient Egypt
- Ostrakon Amarna 297
- Haben Otto Neugebauer und William Feller die Niljahre richtig gemittelt?
- A Hypocephalus with Odd Iconography and Poor Writing in the Berlin Museum
- Von Malachit zu Kupfer
- Überlegungen zu Heinrich Schäfers Von ägyptischer Kunst und zu Hedwig Fechheimers Plastik der Aegypter
- Jean Clédat à Meir (1899–1901)