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Ephrem the Syrian’s Use of Beatitudes

  • Andrew Hayes EMAIL logo
Veröffentlicht/Copyright: 20. Februar 2021
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Abstract

The poetry of Ephrem the Syrian (ca. 306–373 C. E.) shows a marked predilection for composing beatitudes, usually in the form, “Blessed is the one who . . .” Careful study of these formulas, particularly when they predominate in certain madrāšē, shows that Ephrem uses the device deliberately and creatively to signal the creator-creature polarity, and in that context, the balancing of its tension via the transference of the creature to a medial or liminal state between God and humanity. They also signal creatures’ consequent ability to mediate between God and other creatures. Ephrem carefully limits the formula to created entities and distinguishes between the epithets and concepts brīḵā and ṭūḇānā, a subtlety that has not typically, but should be, respected in English translation, because it is integral to the dynamic they express. Ephrem’s beatitudes are often associated with personification and balance. Thus, when applied to biblical entities, they form a way in which he rhetorically brings the polarity between God and man to life in his own teaching, and seeks to dramatize the experience of closeness to God in his community’s present time. A complete reference list of Ephrem’s beatitudes in his extant madrāšē is included.

Acknowledgements

Completing this article was made possible by the generous support of a research fellowship from the Institute of Christian Oriental Research at the Catholic University of America in Washington, D. C. The author also gratefully acknowledges the helpful comments and suggestions made by the anonymous reviewer. Any errors that remain are the author’s own.

Appendix: Table of Beatitude Citations in Ephrem’s madrāšē

Beatitude Citations in Ephrem’s Poetry (refrains counted once each)

cycle

poem / location

stanzas

Carmina nisibena

46

7

Carmina nisibena

49

17

Carmina nisibena

app. (De mortuis)

11

Florilegium

78

n/a

Hymni Contra haereses

5

17, refrain

Hymni Contra haereses

56

8

Hymni De azymis

6

3

Hymni De crucifixione

3

2–5,9–13,18

Hymni De crucifixione

8

1–3,5,6,8,11,12,15,16

Hymni De crucifixione

9

1,2

Hymni De ecclesia

9

8,18

Hymni De ecclesia

16

1–5,9–11

Hymni De ecclesia

17

1–9

Hymni De ecclesia

28

refrain

Hymni De ecclesia

29

refrain

Hymni De ecclesia

38

18

Hymni De ecclesia

39

refrain

Hymni De ecclesia

51

1–3

Hymni De fide

2

1–24

Hymni De fide

3

1–13,16

Hymni De fide

49

6

Hymni De ieiunio

1

13

Hymni De ieiunio

7

13, refrain

Hymni De nativitate

8

6,16

Hymni De nativitate

17

5

Hymni De nativitate

25

1–14,16

Hymni de paradiso

1

6,7

Hymni de paradiso

2

1

Hymni de paradiso

5

refrain, 12

Hymni de paradiso

6

12,18,19

Hymni de paradiso

7

4,24

Hymni de paradiso

8

2

Hymni de paradiso

10

14

Hymni de paradiso

13

11,13,16

Hymni de paradiso

14

1,5–8,10,11

Hymni De virginitate

14

1,2,4,10

Hymni De virginitate

15

1–7

Hymni De virginitate

16

1–4,6–9

Hymni De virginitate

17

1–10

Hymni De virginitate

18

1,5,6,8–10

Hymni De virginitate

19

1,2

Hymni De virginitate

20

1,2

Hymni De virginitate

21

1,2,11

Hymni De virginitate

22

1–5

Hymni De virginitate

23

1,2,5,7,8,10,11

Hymni De virginitate

24

1–14

Hymni De virginitate

25

2,13,15,16

Hymni De virginitate

26

2–7,10–13,16

Hymni De virginitate

27

4

Hymni De virginitate

31

2–15

Hymni De virginitate

33

2,6

Hymni De virginitate

35

8

Hymni De virginitate

40

5

Total

241

Note: De ecclesia 26 and 27 are interesting cases: the former reflects on divine blessings, frequently employing the root ṭ-w-b; the latter reflects on the blessings and woes Jesus uttered. Neither use the macarism formula per se. Contra haereses 51 likewise reflects on blessings and woes, but without using beatitudes directly.

Published Online: 2021-02-20
Published in Print: 2021-02-23

© 2020 Walter de Gruyter GmbH, Berlin/Boston

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