Abstract
The diary section in Anne Brontë’s The Tenant of Wildfell Hall is often criticized. However, Helen’s diary is an essential element of the novel: recording and processing her traumatic first marriage in her diary is an important means of character development, making it possible for Helen to heal, and to experience what experts term posttraumatic growth. According to Herman as well as Tedeschi and Calhoun, the only way to recover from, and grow beyond, trauma is to narrate it. In the novel, Helen does this through recording and confronting her traumatic experiences in her diary.
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Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- ZAA at 70
- Mary Ashraf and the “Research Group on Working Class Literature”: The Programmatic Pursuit of a New Research Field in the GDR Anglistik
- “To this Silent Paper I May Confess it”: Diary Writing and Trauma in The Tenant of Wildfell Hall
- Wotan’s Biopunk: The Grim(m) German God and His English Bloodsport in Sarban’s The Sound of His Horn
- Modes of Social Closure in Morten Tyldum’s Film The Imitation Game
- Authorial Lives and Deaths: Revisiting Perumal Murugan’s Literary Death and Afterlives
Articles in the same Issue
- Frontmatter
- Editorial
- Editorial
- Articles
- ZAA at 70
- Mary Ashraf and the “Research Group on Working Class Literature”: The Programmatic Pursuit of a New Research Field in the GDR Anglistik
- “To this Silent Paper I May Confess it”: Diary Writing and Trauma in The Tenant of Wildfell Hall
- Wotan’s Biopunk: The Grim(m) German God and His English Bloodsport in Sarban’s The Sound of His Horn
- Modes of Social Closure in Morten Tyldum’s Film The Imitation Game
- Authorial Lives and Deaths: Revisiting Perumal Murugan’s Literary Death and Afterlives