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Fake Identity? The Impostor Narrative in North American Culture
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Karin Hoepker
Veröffentlicht/Copyright:
5. Dezember 2017
Published Online: 2017-12-5
Published in Print: 2017-12-20
©2017 Walter de Gruyter GmbH, Berlin/Boston
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Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Tellabilities – Diatopic/Diachronic: Where and When a Story Is Worth Telling and Where and When It Is Not
- Paradox in the Woods: The Twin Destiny of Elves and Men in the Forests of Beleriand
- History, Time, and Lived Experience in Toni Morrison’s Beloved (1987), Jazz (1992), and Paradise (1997)
- Cooking and Eating Your Own Stories: (Metaphorical) Cannibalism in Margaret Atwood’s The Robber Bride
- Alice Munro and ‘Alternate Realities’
- Book Reviews
- Coleridge and Communication
- Fake Identity? The Impostor Narrative in North American Culture
- Patterns of Positioning: On the Poetics of Early Abolition
- Books Received
- Table of Contents Vol. 65 (2017)
Artikel in diesem Heft
- Frontmatter
- Editorial
- Editorial
- Articles
- Tellabilities – Diatopic/Diachronic: Where and When a Story Is Worth Telling and Where and When It Is Not
- Paradox in the Woods: The Twin Destiny of Elves and Men in the Forests of Beleriand
- History, Time, and Lived Experience in Toni Morrison’s Beloved (1987), Jazz (1992), and Paradise (1997)
- Cooking and Eating Your Own Stories: (Metaphorical) Cannibalism in Margaret Atwood’s The Robber Bride
- Alice Munro and ‘Alternate Realities’
- Book Reviews
- Coleridge and Communication
- Fake Identity? The Impostor Narrative in North American Culture
- Patterns of Positioning: On the Poetics of Early Abolition
- Books Received
- Table of Contents Vol. 65 (2017)
