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The Art of Reverse Engineering
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About this book
Reverse Engineering is a term that comes originally from the field of mechanical engineering. Reverse Engineering indicates the process of analysing an existing object or system by laying out its construction plan to then rebuild it in every detail. This manner of reconstruction allows for modifications and adjustments to new demands and requirements, it signifies creative appropriation, democratisation of knowledge, further development. The contributions in this volume take Reverse Engineering to another level, applying it to the fields of arts, sciences and politics in an attempt to reveal the procedures of culture and technology at work, and the importance of access, knowledge and skills in reshaping our present times and future.
Author / Editor information
Günther Friesinger ist Künstler, Philosoph, Kurator und Produzent. Er ist Gründer und Leiter des paraflows festival, Chairman des QDK - Quartier für Digitale Kultur, Geschäftsführer von monochrom, Produzent des Arse Elektronika Festivals, des Roboexotica Festivals und des KOMM.ST Festivals. Friesinger lehrt Kulturmanagement, Produktion, Social Media und Ausstellungsdramaturgie an Universitäten in Österreich, Deutschland und der Schweiz.
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Frontmatter
1 -
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Table of Contents
5 -
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Introduction
7 -
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Technology vs. Technocracy
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Reverse Engineering the Senses: Sight/Hearing and Touch
23 - 1. Open
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Biohacking
31 -
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The Technosensual Body
43 -
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Eliminated in a Hardly Noticeable Way
63 - 2. Dissect
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Hacking Feminism
71 -
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The Return of the Physical: Tangible Trends in Human-Computer Interaction
83 -
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Can Someone Pause the Counting Please?
97 -
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It‘s a Cyborg‘s World? Synthetic Bodies as “Social Engineering”
115 - 3. Rebuild
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Appropriation of Vacancies – by Capital or by People?
135 -
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Cyberpeace, Not Cyberwar
149 -
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Asking the Girls Out? Reverse Engineering and the (Re-)Writing of Austrian Film History
159 -
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Playing with Glass Beads
177 -
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List of Contributors
185