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book: Dance [and] Theory
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Dance [and] Theory

  • Edited by: and
Language: English
Published/Copyright: 2014

About this book

Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?

The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.

Author / Editor information

Contributor: Gabriele Brandstetter

Gabriele Brandstetter (Prof. Dr. phil.) ist Professorin für Theaterwissenschaft mit Schwerpunkt Tanzwissenschaft an der Freien Universität Berlin.

--- Contributor: Gabriele Klein

Gabriele Klein hat seit 2022 die Professur für Ballett und Tanz (»Hans van Manen Chair«) an der Universität Amsterdam/Niederlande inne. Von 2002 bis 2023 war sie Professorin für Soziologie von Bewegung, Tanz und Performance Studies an der Universität Hamburg. Ihre Forschungsschwerpunkte sind Kultur- und Sozialtheorie sowie Geschichte von Körper, Bewegung, Tanz und Performance, zeitgenössische Tanz- und Performancekunst, urbane Bewegungskulturen und populäre Tanzkulturen.

Reviews

Reviewed in:

etcetera, 135 (2013)

Supplementary Materials

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    Frontmatter

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    Contents

    5
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    Dance [and] Theory. Introduction

    11
    Gabriele Brandstetter and Gabriele Klein
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    Dancing and Theorizing and Theorizing Dancing

    19
    Susan Leigh Foster
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  • ARTISTIC RESEARCH
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    Artistic Research: Between Experiment and Presentation

    35
    Kerstin Evert and Sibylle Peters
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    A Few Remarks about Research in Dance and Performance or – The Production of Problems

    45
    Bojana Cvejić
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    Knowledge and Collective Praxis

    51
    Victoria Pérez Royo
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    It does not matter or The Artist Out (of the Picture)

    63
    Jan Ritsema
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    Artistic Research between Dance and Theory – A Response in Six Questions

    69
    Annemarie Matzke
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    References

    75
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  • PANEL AESTHETICS
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    Aesthetic Experience

    81
    Gerald Siegmund
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    The Question of the Aesthetic

    89
    Juliane Rebentisch
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    The Resistance to Dance Theory. Being-With, the Aesthetic Event

    97
    Krassimira Kruschkova
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    Beautiful Affects in Choreography

    103
    Stefan Hölscher
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    Intertwinings: The Dis/Positions of Dance Aesthetics

    107
    Sabine Huschka
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    Unexpected Horizons of Meaning

    115
    Katja Schneider
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    Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted

    119
    Katherine Mezur
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    References

    129
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  • LECTURE
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    Dance Theory as a Practice of Critique

    137
    Gabriele Klein
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  • PANEL POLITICS
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    Dance and Politics

    153
    André Lepecki
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    Pitfalls of ‘the Political.’ Politization as an Alternative Tool for Dance Analysis?

    159
    Franco Barrionuevo Anzaldi
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    The Politics of Time

    167
    Bojana Kunst
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    Contemporary Dance and the Critical Ontology of Actuality

    173
    Boyan Manchev
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    Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain

    177
    Avanthi Meduri
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    Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography

    183
    Martin Nachbar
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    Remarks Concerning the Ontology of Dance

    187
    Gunter Gebauer
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    References

    191
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  • LECTURE
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    Dis/Balances. Dance and Theory

    197
    Gabriele Brandstetter
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  • PANEL ARCHIVES
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    Steps and Gaps: Curatorial Perspectives on Dance and Archives

    213
    Beatrice von Bismarck
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    Body, Archive

    219
    Franz Anton Cramer
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    The Constructive Compromise

    223
    Florian Malzacher
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    Dance/Archive/Exhibition? Moving between Worlds

    227
    Ruth Noack
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    The Archive in Motion

    231
    Marion von Osten
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    “Mal d’Archive” – in a Different Sense than Jacques Derrida’s

    235
    Frank-Manuel Peter
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    Leaving and Pursuing Traces ‘Archive’ and ‘Archiving’ in a Dance Context

    241
    Christina Thurner
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    References

    247
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  • PANEL NEXT GENERATION
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    Thoughts on the Now in the Future

    253
    Susanne Foellmer
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    A Relational Perspective on Dance and Theory – Implications for the Teaching of Dance Studies

    265
    Yvonne Hardt
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    dé-position. Or How to Move in(to) the Future?

    271
    Sandra Noeth
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    Embryology as Choreography

    277
    Isabelle Schad
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    Hypothesis Number Nine: The Image Is an Organ

    283
    Laurent Goldring
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    What’s ‘next’?

    287
    Peter Stamer
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    In the Making. On the Generation of Movement between Dance and Theory

    291
    Isa Wortelkamp
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    An Institution Is only as Good as the People who Work there Can be. No?

    297
    Kai van Eikels
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    References

    309
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    Notes on Contributors

    313
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
March 3, 2014
eBook ISBN:
9783839421512
Edition:
1. Aufl.
Pages and Images/Illustrations in book
Main content:
324
Download eBook (PDF)
https://doi.org/10.1515/transcript.9783839421512
eBook ISBN: 9783839421512
Keywords for this book
Dance; Dance; Dance Studies; Dance Studies; Performance Studies; Performance Studies; Choreography; Choreography; Art Theory; Art Theory; Artistic Research; Artistic Research; Politics of Movement; Politics of Movement; Aesthetics; Aesthetics; Visuality; Visuality; Archive; Archive; Future of Dance; Future of Dance; Theatre Studies; Theatre Studies; Theory of Art; Theory of Art; Body; Body
Audience(s) for this book
For an expert adult audience, including professional development and academic research
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