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How do novels hang together? Characterization as registerial meta-stability

  • Fang Li

    Fang Li received her PhD in English literature from University of Washington and is currently professor at Hankuk University of Foreign Studies (South Korea). Her research includes social problem novels, systemic functional linguistics, and the history of the representation of consciousness. Address for correspondence: Department of English Literature and Culture, Hankuk University of Foreign Studies, 107 Imun-ro Dongdaemun-gu, Seoul 02450, South Korea. Email: lifang@hufs.ac.kr

    and David Kellogg

    David Kellogg received his PhD in linguistics from Macquarie University and is currently assistant professor at Sangmyung University (South Korea). His research includes systemic functional linguistics and cultural-historical psychology. His most recent book-length publication is a translation of the work of L.S. Vygotsky (forthcoming, Springer). Address for correspondence: Department of English Education, Sangmyung University Teachers’ College,

    10 Hongjimun 2-gil, Seodaemun-gu, Seoul 03016, South Korea. Email: dkellogg60@smu.ac.kr

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Published/Copyright: November 7, 2019

Abstract

How does a novel like Middlemarch cohere, since it is made up of at least two very different kinds of text, narrative on the one hand and dialogue on the other? In this paper, we look to two authorities: to literature, where authors seem to agree that it is consistency in voice that holds both narrators and characters together, and to linguistics, where a computerized corpus allows us to measure variation between and within characters. Where previous researchers found unsystematic variations, we find meta-stability: characters remain true to themselves only through variation. The way in which Dorothea addresses her future husband differs from the way she addresses her little sister in Chapter Five of Middlemarch but this is in turn a special case of differences between the way in which Dorothea addresses men and the way in which she addresses women. Such a difference serves to symbolically articulate a key theme of Eliot’s novel – the middle ground that every woman must occupy in the march from the world of our forefathers through that of our husbands to that of our children.

About the authors

Fang Li

Fang Li received her PhD in English literature from University of Washington and is currently professor at Hankuk University of Foreign Studies (South Korea). Her research includes social problem novels, systemic functional linguistics, and the history of the representation of consciousness. Address for correspondence: Department of English Literature and Culture, Hankuk University of Foreign Studies, 107 Imun-ro Dongdaemun-gu, Seoul 02450, South Korea. Email: lifang@hufs.ac.kr

David Kellogg

David Kellogg received his PhD in linguistics from Macquarie University and is currently assistant professor at Sangmyung University (South Korea). His research includes systemic functional linguistics and cultural-historical psychology. His most recent book-length publication is a translation of the work of L.S. Vygotsky (forthcoming, Springer). Address for correspondence: Department of English Education, Sangmyung University Teachers’ College,

10 Hongjimun 2-gil, Seodaemun-gu, Seoul 03016, South Korea. Email: dkellogg60@smu.ac.kr

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Published Online: 2019-11-07
Published in Print: 2020-01-28

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