Abstract
In this paper, I examine the formulaic system of the catalogue of men in Odyssey 11. The discursive means at work whenever a catalogue entry is introduced, rest on vision and kinetics. These are two cardinal notions that establish themselves in narrative contexts of male catalogue poetry in the Iliad. Scrutinising the formula-based linguistic register pertaining to visual perception and movement/stasis shows that entry introductory formulas serve as mechanisms of meticulous inner structuring and co-ordination of the narrative material and of outer framing with regard to the preceding free-floating entries and the catalogue of women.
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Articles in the same Issue
- Titelseiten
- Variations on Violence in Greek and Akkadian Succession Myths
- Introductory Formulas in the Catalogue of Men of Odyssey 11
- Timocreon of Ialysos, frr. 5–8 PMG and 7, 9, and 10 IEG
- Religion on the Rostrum: Euchomai Prayers in the Texts of Attic Oratory
- A New Epistomion from Sfakaki, near Rethymno
- Mapping the stars on the revolving sphere and reckoning time: star catalogues, astronomical popularization, and practical functions
- Prometheus Bound Reappropriated: A Modern Greek Promethean ‘Palimpsest’ by Νikiforos Vrettakos
- List of Contributors
Articles in the same Issue
- Titelseiten
- Variations on Violence in Greek and Akkadian Succession Myths
- Introductory Formulas in the Catalogue of Men of Odyssey 11
- Timocreon of Ialysos, frr. 5–8 PMG and 7, 9, and 10 IEG
- Religion on the Rostrum: Euchomai Prayers in the Texts of Attic Oratory
- A New Epistomion from Sfakaki, near Rethymno
- Mapping the stars on the revolving sphere and reckoning time: star catalogues, astronomical popularization, and practical functions
- Prometheus Bound Reappropriated: A Modern Greek Promethean ‘Palimpsest’ by Νikiforos Vrettakos
- List of Contributors