Summary
Usually Feofan Prokopovyč’s tragedokomedija Vladimir is considered an early example of the author’s ecclesiastical reform concerns, which he realized in the Russian Empire from 1716 onwards. However, a detailed analysis of the religious dispute, which is at the center of the play, and its literary sources gives rise to a more biographical reading, according to which the young author recommended himself to the Kyiv-Mohyla Academy for his work as a professor in rhetoric. He, the former supporter of the Union, emphasizes the Greek roots of Eastern Christianity and presents himself as a loyal representative of Moscow-orientated Orthodoxy. There is no evidence that he disagreed with Hetman Mazepa on the political position of Ukraine at the time.
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Articles in the same Issue
- Frontmatter
- Frontmatter
- Menschen zu sein...
- Online hate speech in Belarus: Highlighting the topical issues
- The long-journeying poor cousin before the shut EU door: How the Western Balkans are metaphorically conceptualised in the context of the EU integrations
- A discourse analysis of Montenegrin university lectures: How structured are they?
- The status of the oblique possessor in BE-possessives: Evidence from Russian and Hungarian
- Adam Naruszewiczs Oda do sprawiedliwości im Kontext des politischen Denkens und der Gelegenheitsdichtung der Aufklärung
- Der Religionsdisput in Feofan Prokopovyčs Vladimir
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- Buchbesprechung
- Varianz im Russischen
- Georgien zwischen Eigenstaatlichkeit und russischer Okkupation. Die Wurzeln des Konflikts vom 18. Jh. bis 1924
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