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Indexicality as “symptom”: Photography and affect
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Yuriko Furuhata
Veröffentlicht/Copyright:
2. April 2009
Abstract
This article uses Roland Barthes's text, Camera Lucida: Reflections on Photography, to critique photography's truth claim to the real by reading the photographic discourse of “indexicality” as a “symptom,” as defined in the work of Slavoj Žižek. The implications of this symptomatic relationship between photography and the real are analyzed in relation to the question of photographic spectatorship on the one hand, and to the inarticulability of affect on the other. In conclusion this article turns to Kant's notion of subjective universality as it is challenged by Barthes's theory of photography.
Published Online: 2009-04-02
Published in Print: 2009-April
© 2009 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin
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Artikel in diesem Heft
- The biosemiosis of prescriptive information
- Kitsch, irony, and consumerism: A semiotic analysis of Diesel advertising 2000–2008
- Modeling semiosis in Roentgen diagnosis
- The semiosis of stone: A “rocky” rereading of Samuel Taylor Coleridge through Charles Sanders Peirce
- Disability in African films: A semiotic analysis
- Beyond linguistics: Deixis, dementia, and the theatricality of speech in Alzheimer's memoir
- Indexicality as “symptom”: Photography and affect
- Is meaning information? Some thoughts on linguistic ambiguity, embodied emotion, and the making of meaning
- Double binds, triadic binds
- Symbiotic symbolization by hand and mouth in sign language
- Picture, text, and imagetext: Textual polylogy
- Metonymy and its manifestation in visual artworks: Case study of late paintings by Bruegel the Elder
- Comments concerning the artist in a Peircean perspective
- Seven short comments on pragmatic semeiotic and branding
