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Prosper Mérimée : Surface sémantique d’un récit
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Alexandre L. Amprimoz
Published/Copyright:
October 27, 2008
Abstract
L’abbé Aubain est un conte de Prosper Mérimée. On montre que dans ce texte la sémantique du récit engendre la structure narrative de surface et que l’attention du lecteur est surtout captée par la symbolique du bouquet. En effet, c’est un geste d’Aubain qui permet la narratrice de passer de la simple curiosité au désir, dès que les fleurs (symbole du premier amour) sont sacrifiées pour laisser le champ libre la deuxième femme, c’est-à-dire Mme de P.
Les principes de dépendance entre sémiotique narrative et sémantique du récit, jadis laborés par Michael Riffatterre, sont ainsi vérifiés et nuancés.
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Published Online: 2008-10-27
Published in Print: 2005-06-20
Walter de Gruyter GmbH & Co. KG
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Articles in the same Issue
- Semiotic perspective of psychiatric diagnosis
- On the relation between sound and meaning in Hicks’ Snow Falling on Cedars
- The revised fundamental sign
- Maigre comme un hareng : ‘Miss Harriet’ de Guy de Maupassant
- Prosper Mérimée : Surface sémantique d’un récit
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- Science in carnival: DNA and the iconic body
- A semiotics of human actions for wearable augmented reality interfaces
- The symbolosphere, conceptualization, language, and neo-dualism
- An assessment and application of structuralism and linguistics: A structuralist approach to ‘The Woman Who Fell From the Sky,’ a Native American creation myth
- Iconicity and indexicality: The body in Chinese art
- The Human Genome Project: An increasingly elusive ‘human nature’
- Body and space: Michael Chekhov’s notion of atmosphere as the means of creating space in theatre
- Eyes, mirror, light: History’s other lenses
