Tone patches, mosaics, and motives in Béla Bartóks Duke Bluebeards Castles sixth door scene The Lake of Tears

Artikel in diesem Heft

1. Tom Sebeok and the external world
2. Human responsibility in the universe of global semiotics
3. Dialogism and biosemiotics
4. Cognitive struggle with sensory chaos: Semiotics of olfaction and hearing
5. Liars, players, and artists: A zoösemiotic approach to aesthetics
6. Gardens and gardening: An ecosemiotic view
7. Signs of cultural globalization
8. Global communication, proximity, and responsibility: Beyond the logic of identity
9. Codes, space, and national identity: The 1918 plan for the city of Thessaloniki
10. Marketing the glocal in narratives of national identity
11. Spatialization of knowledge: Cartographic roots of globalization
12. An effect of meaning-breaker: Analysis of the cartoon Just shit
13. Strange things on the edge of the city: Writing strategies in contemporary French surburban literature
14. Tone patches, mosaics, and motives in Béla Bartóks Duke Bluebeards Castles sixth door scene The Lake of Tears
15. Reflections on musical strangement
16. Silence as a cultural sign
17. H. P. Lovercraft and the anatomy of the nothingness: The Cthulhu Mythos
18. Color and olfactive perception in the eyes of Peirce and Colette
19. Metaleptic machines
20. Interpretive semiotics and translation theory: The semiotic conditions to translation
21. Advertisement/commerical as a text eliminating oppositions
22. What are the signs of narrativity? Models in general semiotics
23. Marked objects: Signs on the saddles
24. Womans body as a color measuring text: A signification of Bengali culture
25. What is a semiotic ontolgy? The semiotic self as Dasein