Published Online: 2021-07-09
Published in Print: 2021-04-27
© 2021 Walter de Gruyter GmbH, Berlin/Boston
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Artikel in diesem Heft
- Frontmatter
- Introduction
- Introduction: Law in End Times: A North/South Collaboration
- Focus: Law in End Times
- The Judgment as Revelation
- ‘Behold, I tell you a mystery’: Tracing Faust’s Influences on Giorgio Agamben to and from International Law
- The Embodiment of Law: Altered Carbon and Six Wakes
- Hail the Spectator: Embodiment, Injustice, and Film
- Politics of Silence: On Autonomous, Communicative and Aesthetic Silences
- Research
- “The Nude Man’s City”: Flávio de Carvalho’s Anthropophagic Architecture as Cultural Criticism
- Intervention
- A (Lay) Catholic Voice Against a National Consensus
- Book Reviews
- Jani McCutcheon and Fiona McGaughey: Research Handbook on Art and Law
- Conor McCarthy: Outlaws and Spies: Legal Exclusion in Law and Literature
Artikel in diesem Heft
- Frontmatter
- Introduction
- Introduction: Law in End Times: A North/South Collaboration
- Focus: Law in End Times
- The Judgment as Revelation
- ‘Behold, I tell you a mystery’: Tracing Faust’s Influences on Giorgio Agamben to and from International Law
- The Embodiment of Law: Altered Carbon and Six Wakes
- Hail the Spectator: Embodiment, Injustice, and Film
- Politics of Silence: On Autonomous, Communicative and Aesthetic Silences
- Research
- “The Nude Man’s City”: Flávio de Carvalho’s Anthropophagic Architecture as Cultural Criticism
- Intervention
- A (Lay) Catholic Voice Against a National Consensus
- Book Reviews
- Jani McCutcheon and Fiona McGaughey: Research Handbook on Art and Law
- Conor McCarthy: Outlaws and Spies: Legal Exclusion in Law and Literature