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Disputes and the Differend: Literary Strategies to Say the Unspeakable

  • François Ost

    François Ost is Full Professor at the University Saint-Louis, Brussels. He is the president of the group FNRS Law and Literature. His publications include Raconter la loi. Aux sources de l’imaginaire juridique (2004), Sade et la loi (2005), Shakespeare. La Comédie de la Loi (2012). Since 2004 he has been a member of the Académie Royale des Sciences, des Lettres et des Beaux Arts de Belgique.

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Published/Copyright: August 27, 2015
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Abstract

How do voice and power connect, in law? More precisely: given that in many cases one of the parties to a dispute does not share the language or the code of the court, and that the verdict will therefore do violence to him (this is the meaning of “differend,” as distinct from an ordinary legal dispute), how do the voices of the victims speak? The aim of this paper is to develop, with the aid of numerous literary examples, a typology of the various modulations of these voices, all the way from silence up to a shout, taking in along the way such things as: delirious ramblings, the oratorio, the petition, and literary sublimation. What are the limits of the “literary corpus” which we have in mind here? What about all the documents produced by the victims in cases of differend? Can we not regard them as a form of “outsider art,” of “judicial style”?

Keywords: voice; power; law; silence; victims

About the author

François Ost

François Ost is Full Professor at the University Saint-Louis, Brussels. He is the president of the group FNRS Law and Literature. His publications include Raconter la loi. Aux sources de l’imaginaire juridique (2004), Sade et la loi (2005), Shakespeare. La Comédie de la Loi (2012). Since 2004 he has been a member of the Académie Royale des Sciences, des Lettres et des Beaux Arts de Belgique.

Published Online: 2015-8-27
Published in Print: 2015-9-18

©2015 by De Gruyter

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