José Calvo González: Direito curvo

Artikel in diesem Heft

1. Frontmatter
2. Focus
3. Focus: Shakespeare and the Law
4. Weak Kings and Perverted Symbolism. How Shakespeare Treats the Doctrine of the King’s Two Bodies
5. Free Will and Folly in As You Like It
6. Romeo and Juliet: The Importance of a Name
7. Unreliable Sources for Law: Dying Declarations in Shakespeare’s King John, Othello & King Lear
8. Disruptions and Negotiations of Identity in Act 1 of Shakespeare’s Othello
9. Research
10. Illegal Search and Seizure, Due Process, and the Rights of the Accused: The Voices of Power in the Rhetoric of Los Angeles Police Chief William H. Parker
11. The Judge’s Voice: Literary and Legal Emblemata
12. Power and the Trial: The Tension Between Voices and Silence
13. Voice, Authority and the Law in Peter Carey’s True History of the Kelly Gang
14. Silence, Power and Suicide in Michael Cunningham’s The Hours
15. Celsus and Chatwin go Walkabout
16. Representing the Unrepresentable: Making Law Anyway?
17. Book Reviews
18. Gary Watt: Dress, Law and Naked Truth. A Cultural Study of Fashion and Form
19. José Calvo González: Direito curvo