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        Ruins on Record
Copying Umm Kulthum’s al-Atlal, Cairo 2019
            
        
    
    
            
        
    
    
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        Søren Møller Sørensen
        
 
                            Published/Copyright:
                            
                                June 6, 2019
                            
                        
                    
                
            
  Published Online: 2019-06-06
 
 
  Published in Print: 2019-06-26
 
© 2019 Walter de Gruyter GmbH, Berlin/Boston
                                        
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                                    Articles in the same Issue
- Frontmatter
 - The Visual Archive as Alternative Space
 - On Vogelsang
 - Iran: Generation Post-Revolution
 - Taco Truck Typologies
 - Unruly Monument
 - On Only Dogs
 - Ruins on Record
 - The All-inclusive Soundscape
 - Women as Angry, Muted Subjects in Nepali Films
 - On Voicing Up
 - Musik-Filmische Teilhabekonstellationen als Partizipationsversprechen und situiertes Wissen in The Queen of Silence (2014) und And-Ek Ghes… (2016)
 - Spuren der Heterotopie – Hören in Admiralty, Hongkong
 - The Audio Paper: From Situated Practices to Affective Sound Encounters
 - Authors
 
Articles in the same Issue
- Frontmatter
 - The Visual Archive as Alternative Space
 - On Vogelsang
 - Iran: Generation Post-Revolution
 - Taco Truck Typologies
 - Unruly Monument
 - On Only Dogs
 - Ruins on Record
 - The All-inclusive Soundscape
 - Women as Angry, Muted Subjects in Nepali Films
 - On Voicing Up
 - Musik-Filmische Teilhabekonstellationen als Partizipationsversprechen und situiertes Wissen in The Queen of Silence (2014) und And-Ek Ghes… (2016)
 - Spuren der Heterotopie – Hören in Admiralty, Hongkong
 - The Audio Paper: From Situated Practices to Affective Sound Encounters
 - Authors