On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016)

Ludwig Berger; Florian Fischer

doi:10.1515/para-2019-0006

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On Only Dogs

A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016)

Ludwig Berger and Florian Fischer

Published/Copyright: June 6, 2019

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From the journal Paragrana Volume 28 Issue 1

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Berger, Ludwig and Fischer, Florian. "On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016)" Paragrana, vol. 28, no. 1, 2019, pp. 101-108. https://doi.org/10.1515/para-2019-0006

Berger, L. & Fischer, F. (2019). On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016). Paragrana, 28(1), 101-108. https://doi.org/10.1515/para-2019-0006

Berger, L. and Fischer, F. (2019) On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016). Paragrana, Vol. 28 (Issue 1), pp. 101-108. https://doi.org/10.1515/para-2019-0006

Berger, Ludwig and Fischer, Florian. "On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016)" Paragrana 28, no. 1 (2019): 101-108. https://doi.org/10.1515/para-2019-0006

Berger L, Fischer F. On Only Dogs: A Conversation by Christiane Brosius with the Authors of Only dogs walk as if they know where they’re going (2016). Paragrana. 2019;28(1): 101-108. https://doi.org/10.1515/para-2019-0006

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Published Online: 2019-06-06

Published in Print: 2019-06-26

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https://doi.org/10.1515/para-2019-0006

Articles in the same Issue

Frontmatter
The Visual Archive as Alternative Space
On Vogelsang
Iran: Generation Post-Revolution
Taco Truck Typologies
Unruly Monument
On Only Dogs
Ruins on Record
The All-inclusive Soundscape
Women as Angry, Muted Subjects in Nepali Films
On Voicing Up
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The Audio Paper: From Situated Practices to Affective Sound Encounters
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