Minor Infrastructures: Genre and Petroleum Politics in the Music of Grace Chang and Fela Kuti

References

Achebe, C. 2006. Things Fall Apart: Chinua Achebe. London: Penguin Classics.Suche in Google Scholar

Atkins, E. T. 2001. Blue Nippon: Authenticating Jazz in Japan. Durham: Duke University Press.10.1515/9780822380030Suche in Google Scholar

Carse, A. 2017. “Keyword: Infrastructure: How a Humble French Engineering Term Shaped the Modern World.” In Infrastructures and Social Complexity. A Companion, edited by P. Harvey, C. Bruun, and A. Morita, 27–39. London: Routledge.Suche in Google Scholar

Charry, E. 2000. Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa. Chicago: University of Chicago Press.Suche in Google Scholar

Denning, M. 2015. Noise Uprising: The Audiopolitics of a World Musical Revolution. London: Verso.Suche in Google Scholar

Diala-Ogamba, B. 2007. “Music as Social Poetry: A Critical Evaluation of Fela Anikulapo Kuti’s Afro-Beat Lyrics.” Langston Hughes Review 21: 30.Suche in Google Scholar

Dickson, P., and B. Lando. 2009. War Slang: American Fighting Words & Phrases Since the Civil War. Mineola: Dover.Suche in Google Scholar

Eriksson, M., R. Fleischer, A. Johansson, P. Snickars, and P. Vonderau. 2019. Spotify Teardown: Inside the Black Box of Streaming Music. Cambridge, MA: MIT Press.10.7551/mitpress/10932.001.0001Suche in Google Scholar

Erlmann, V. 1999. Music, Modernity, and the Global Imagination: South Africa and the West. New York: Oxford University Press.10.1093/acprof:oso/9780195123678.001.0001Suche in Google Scholar

Falola, T., and M. M. Heaton. 2008. A History of Nigeria. Cambridge: Cambridge University Press.10.1017/CBO9780511819711Suche in Google Scholar

Fauser, A. 2010. “‘Dixie Carmen’: War, Race, and Identity in Oscar Hammerstein’s Carmen Jones, 1943.” Journal of the Society for American Music 4 (2): 127–74. https://doi.org/10.1017/s1752196310000015.Suche in Google Scholar

Frynas, J. G. 1998. “Political Instability and Business: Focus on Shell in Nigeria.” Third World Quarterly 19 (3): 457–78. https://doi.org/10.1080/01436599814343.Suche in Google Scholar

Fu, P. 2007. “Modernity, Diasporic Capital, and 1950’s Hong Kong Mandarin Cinema.” Jump Cut (49). https://www.ejumpcut.org/archive/jc49.2007/Poshek/text.html.Suche in Google Scholar

Genova, A., and T. Falola. 2003. “Oil in Nigeria: A Bibliographical Reconnaissance.” History in Africa 30: 133–56. https://doi.org/10.1017/s0361541300003181.Suche in Google Scholar

Gilroy, P. 2002. The Black Atlantic: Modernity and Double Consciousness. London: Verso.Suche in Google Scholar

Grass, R. F. 1986. “Fela Anikulapo-Kuti: The Art of an Afrobeat Rebel.” The Drama Review: TDR 30 (1): 131–48. https://doi.org/10.2307/1145717.Suche in Google Scholar

Hampton, M. 2017. Hong Kong and British Culture, 1945‒97. Manchester: Manchester University Press.Suche in Google Scholar

Hijuelos, O. 1989. The Mambo Kings Play Songs of Love. New York: Farrar, Straus, Giroux.Suche in Google Scholar

Hugbo, J. 2014. “Beasts of No Nation: Resistance and Civic Activism in Fela Anikulapo-Kuti’s Music.” In Arts of Resistance in the 21st Century, edited by E. Obadare, and W. Willems, 167–82. Woodbridge: James Currey.10.1515/9781782042334-012Suche in Google Scholar

Jing, T. 2021. “Fela Anikulapo-Kuti: Anticolonial and Postcolonial African Revolutionary, Visionary, and Musician.” In Some Unsung Black Revolutionary Voices and Visions from Pre-Colony to Post-Independence and Beyond, edited by B. F. Ndi, 69–94. Bamenda: Langaa RPCIG.10.2307/j.ctv1rcf2f0.6Suche in Google Scholar

Jones, A. F. 2016. “Circuit Listening: Grace Chang and the Dawn of the Chinese 1960s.” In Audible Empire: Music, Global Politics, Critique, edited by R. M. Radano, and T. Olaniyan, 66–94. Durham, NC: Duke University Press.10.2307/j.ctv11smhd0.7Suche in Google Scholar

Kellner, Ds. 1994. Media Culture: Cultural Studies, Identity and Politics Between the Modern and the Post-Modern. London: Routledge.Suche in Google Scholar

Labinjoh, J. 1982. “Fela Anikulapo-Kuti: Protest Music and Social Processes in Nigeria.” Journal of Black Studies 13 (1): 119–34. https://doi.org/10.1177/002193478201300109.Suche in Google Scholar

Lewis, G. E. 2016. “Foreword: Who Is Jazz?” In Jazz Worlds/World Jazz, edited by P. V. Bohlman, and Goffredo Plastino, ix–xxiv. Chicago: University of Chicago Press.Suche in Google Scholar

Ma, J. 2015. Sounding the Modern Woman: The Songstress in Chinese Cinema. Durham, NC: Duke University Press.10.1515/9780822375623Suche in Google Scholar

Mitchell, T. 2011. Carbon Democracy : Political Power in the Age of Oil. London: Verso.Suche in Google Scholar

Nathaus, K., and C. Childress. 2013. “The Production of Culture Perspective in Historical Research. Integrating the Production, Meaning and Reception of Symbolic Objects.” Zeithistorische Forschungen/Studies in Contemporary History 10: 89–100. https://doi.org/10.14765/ZZF.DOK-1559.Suche in Google Scholar

Ng, K. K. K. 2007. “Romantic Comedies of Cathay-Mp&gi in the 1950s and 60s: Language, Locality, and Urban Character.” Jump Cut (49). https://www.ejumpcut.org/archive/jc49.2007/Ng-Cathay/.Suche in Google Scholar

Olaniyan, T. 2001. “The Cosmopolitan Nativist: Fela Anikulapo-Kuti and the Antinomies of Postcolonial Modernity.” Research in African Literatures 32 (2): 76–89. https://doi.org/10.1353/ral.2001.0059.Suche in Google Scholar

Powrie, P., B. Babington, and A. Davies. 2007. Carmen on Film: A Cultural History. Bloomington: Indiana University Press.Suche in Google Scholar

Smith, C. J. 1999. ‘I Can Show It to You Better than I Can Explain It to You’: Analyzing Procedural Cues in African-American Musical Improvisations. PhD diss. Bloomington: Indiana University.Suche in Google Scholar

Stokes, M. 2004. “Music and the Global Order.” Annual Review of Anthropology 33: 47–72. https://doi.org/10.1146/annurev.anthro.33.070203.143916.Suche in Google Scholar

Szeman, I., and C. Wellum. 2023. “Carbon Democracy at Ten: An Interview with Timothy Mitchell.” Cultural Studies 37 (3): 351–69, https://doi.org/10.1080/09502386.2022.2056221.Suche in Google Scholar

Van Laak, D. 2021. “Infrastructures.” Docupedia-Zeitgeschichte. https://docupedia.de/zg/Laak_infrastructures_v1_en_2021 (accessed June 19, 2024).Suche in Google Scholar

Watkins, L. 2009. “Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong.” Asian Music: Journal of the Society for Asian Music 40 (2): 72–99. https://doi.org/10.1353/amu.0.0034.Suche in Google Scholar