Abstract
This article examines ambulant vendors’ labour on a Buenos Aires trainline. It explores how vendors employ a range of verbal and embodied resources to navigate the challenges of sustaining attention from commuters and manage the progressivity of their sales pitch as they achieve individual service encounters and deal with physical obstructions intrinsic to the local ecology of the train and the contingencies of earning a livelihood on the move. An interactional pragmatics analysis of vendors’ working practices as video-recorded by them coupled with ethnographic observations, reveals the complex interplay of verbal and embodied cues, spatial arrangements, and temporal constraints in relation to the progressivity of their sales pitch. The findings challenge long-held negative views of vendors’ presence in public space by highlighting the methodical approach, dexterity, and civility of their working practices, and how their labour fills a gap in the market. The article provides new insights into the dynamics of urban labour in public spaces and the intrinsicality of multimodality to manoeuvre round the unequal conditions these workers inhabit.
Resumen
Este artículo examina el trabajo de les vendedores ambulantes en un tren de Buenos Aires. Explora cómo les vendedores emplean una serie de recursos verbales y corporales para navegar el reto de llamar y mantener la atención de les pasajeres y gestionar la progresividad de su discurso de venta a medida que logran establecer interacciones de servicio, y lidian con obstáculos físicos intrínsecos a la ecología local del tren y a las contingencias de ganarse la vida en movimiento. Un análisis pragmático de corte interaccional de las prácticas laborales de les vendedores, grabadas en vídeo por elles mismes y acompañadas de observaciones etnográficas, revela la compleja interacción de los recursos verbales y corporales empleados respecto a las disposiciones espaciales y a las limitaciones temporales en relación con la progresividad del discurso de venta. Los resultados desafían opiniones negativas respecto a la presencia de estes trabajadores en el espacio público, al poner de relieve la organización, destreza y civilidad de sus prácticas laborales, y cómo su trabajo llena un vacío en el mercado. El artículo aporta nuevas perspectivas sobre la dinámica del trabajo urbano en espacio público y la intrinsicalidad de la multimodalidad para maniobrar las condiciones de desigualdad en que viven estes trabajadores.
1 Introduction
In the urban landscapes of the Global South, vending in public space (VPS) is a ubiquitous and multifaceted phenomenon often associated with disorderliness. Street vendors sustain their livelihoods by providing products and services at economic prices, especially for a segment of the population who cannot afford similar merchandise elsewhere. Despite the pervasiveness of VPS and the considerable attention it has received in social science research, the situated work activity of workers in public space (WPS) has largely escaped scholarly attention.
This paper delves into the endeavours of a group of WPS to sustain their livelihoods within the Buenos Aires metropolitan train system. It examines how they navigate the spatiotemporal dimensions of vending on trains, including the pausing and resumption of their sales pitch, as well as the verbal and embodied actions they employ to this end. The paper foregrounds the methodical nature of their situated work activity and the general civility with which it is conducted and received by commuters.
VPS (generally referred to as “street vending”) pre-dates the establishment of modern capitalist societies and, arguably of the formal economy itself. It is generally regarded as surplus, its economic value better placed within the mainstream economy (see, e.g., Cross and Morales 2007), disorderly and as cluttering the urban environment (Milgram 2011).
Recent statistics show that 61 % of the global workforce earn a living in the informal sector (International Labour Office, ILO 2018), with Latin America and sub-Saharan Africa having the highest levels of informality (International Monetary Fund 2011).[1] Informal workers, whilst often stigmatised and ignored, make a significant contribution to the global economy with circa 50 % in Buenos Aires, Argentina (ILO 2018). WPS are an integral part of the Argentinian economy. They constitute a visible body of workers in the capital whose livelihoods are, nonetheless, effaced by the very conditions of their existence.
WPS are usually considered to be part of the informal economy. The informal economy comprises a range of activities and employment relationships that lack legal recognition, regulation, and protection (Portes et al. 1989). Although these activities have market value, they are not registered by the State. The ‘living labour’ (Gago 2018) that characterises WPS is, however, best circumscribed by the popular economy. The popular economy involves market economies whose workers live outside wage relations but are subject to political representation (Fernández-Álvarez 2020). WPS create their own jobs as well as job opportunities for others in the popular economy, such as merchandise storers and merchandise security. Their work supports other businesses such as those in the formal economy, especially when they buy their merchandise from wholesalers, as is the case of the train vendors examined in this paper.[2]
VPS is geographically and spatially uneven – from the products being sold, their intensity and distribution, to its spatial configuration. It is contingent on a range of factors, such as the availability of vendors to staff their posts on a given day, regular police and/or municipal civil guard operations where their goods are often seized and bribes exhorted; leading, in many instances, to physical violence against vendors and their arrest. Despite the diversity of VPS, in most cities, vendors fight for recognition as workers and the right to work.
In Buenos Aires, as in other Global South cities, there are vendors who sell from relatively fixed locations, like in a stall, market-like place or from the pavement; others who have semi-fixed stalls which can be moved from one point in a marketplace to another, and semi-mobile stalls such as street food carts (cf. Israt and Adam 2017). Yet other vendors, such as mobile vendors, walk around the city selling their goods. They rely on their bodies to pull carts with their merchandise or take it in boxes or carry-on suitcases. This is the case of ambulant vendors, such as the train vendors this paper concentrates on.
This paper examines the on-the-ground working practices of a group of vendors from the Buenos Aires metropolitan train workers’ cooperative which in 2021 became part of the National Union of Workers of the Popular economy (UTEP https://utep.org.ar/nuestro-sindicato). It analyses how vendors manage time and spatial limitations in the context of making a living on trains. Specifically, it focuses on the factors that affect the progression of vendors’ sales activity once on trains, and how they solve ongoing and forthcoming challenges associated with this.
The next section offers a review of research on VPS in the Global South. This is followed by a discussion of the type of interaction that characterises the space of the train (3), the data and methods deployed (4), and its analysis (5), before the conclusions are presented (6).
2 Prior research on “street vending”
Research into VPS has primarily examined the power relations that shape commerce in cities of the Global South, with special attention to sociological and public policy analyses of the conflict between the State and “street vendors” given the former’s desire to maintain ‘order’ in public space and the latter’s need to sustain a livelihood. Drawing on narratives and attitudes towards the phenomenon based on ethnographic fieldwork and, to a lesser extent, surveys,[3] they have provided important understandings of some of the macro forces that affect vendors’ livelihoods, the vulnerability of this group of workers, and some of the persistent struggles they face in trying to make an honest living: from public space conflicts, criminalisation, eviction and dispossession to indebtedness.
Studies have focused on, the micro-scale politics of street vending (e.g., Crossa 2009 in Mexico City), the way urban governance affects street vendors (e.g., Hanser 2016 in Shanghai), how formalization processes can lead to the exclusion of street vendors (Huang et al. 2014 in Guangzhou), the financial conditions and indebtedness of vendors (see Saha 2011 for Mumbai), vendors’ resistance to the law (Vargas and Urinboyev 2015 in Bogotá), their marketing strategies (Saldarriaga Díaz et al. 2016 in Medellín), their well-being, (Garzón-Duque et al. 2022 in Medellín) and security (Marín Blandón 2018 in Manizales), among others.
The challenges and unequal conditions that WPS face in different locales have also preoccupied anthropologists. Based on ethnographic fieldwork, Perelman (2016) shed light on the lives of rag-and-bone workers in Buenos Aires, while Fernández-Alvarez (2019) analysed the political organisation of popular economy workers within the same city. In contrast, Pires et al. (2020) investigated conflicts within public space and the associated precariousness of vendors in Rio de Janeiro. Similarly, Hirata (2015) examined how changes in government regulations affecting street commerce impacted the livelihoods of vendors in Rio de Janeiro and São Paulo. Furthermore, Goldstein’s (2016) ethnography of La Cancha market in Cochabamba demonstrated how State neglect contributes to the criminalisation of ambulant vendors.
On the other hand, the scarce linguistic literature on ambulant vending has concentrated on the discursive practices of WPS, with a focus on transport vendors. Alonso Piñero (2018) examined the linguistic politeness strategies of vendors’ sales pitches in Mexico City’s subway. Ergueta et al. (2002) and Leisch and Murata Missagh (2019) focused their attention on vendors’ verbal sales pitches on Buenos Aires buses, underground and trains by way of their own mobile phone audio-recordings and observations during the authors’ transport journeys. They distinguished between the discourse of beggars who often occupy the same physical space and that of vendors in terms of genre analysis. Overall, linguistic findings reveal how vendors mitigate the potential face-threat (Brown and Levinson 1987) of unsolicited sales pitches and adopt a worker’s persona that differentiates them from others who also make a living on trains. In addition, Márquez Reiter et al. (2023) conducted a multimodal pragmatic analysis of the sales pitch of vendors on a Buenos Aires trainline based on vendors’ own video-recordings of their working practices. This allowed the capturing of vendors’ verbal and non-verbal embodied actions (walking, stopping, hands and arms movement). The authors reported the general adroitness and professionalism with which vendors pitch products requiring more elaboration than the more commonly offered food and drinks. Three stages of the sales pitch were identified according to the alignment of body motion with other embodied and verbal activities: the opening, where the preparation of a ‘pop-up’ shop is done from a stationary position on the train coach, the middle, in which the product is presented from a stationary point on the coach, the extension of the middle, where a summarised upshot is offered and conducted in motion, creating thus an interactional space where product inspection or purchase become the next possible relevant action.
Contrary to the discourse of disorderliness that circulates in the media and in official discourse to refer to VPS, linguistic studies have shown vendors’ professionalism when interacting with (potential) customers and the organised nature of their work practices.
This paper further delves into the live working practices of this underrepresented group of workers. It analyses how they deploy verbal and embodied resources to deal with concomitant challenges resulting from the pausing of their sales pitch as they attempt to sustain continued attention to themselves. It contributes to understanding the complexity of vendors’ on-the-ground work activity by attending to a situated activity in a social domain that has largely escaped the purview of interactional pragmatics and sociolinguistics. Our observations and insights are based on the analysis of a corpus of video-recorded interactions and supplemented by ethnographic material. Before we do so, we offer our understanding of the type of interaction that characterises the shared public space of the train (3) and the data and methods deployed in this study (4).
3 The train as a vending place
The train as a vending place is of interactional interest for individual commuters are co-present with vendors without necessarily being mutually engaged in shared activity. It represents a space where unfocused interaction Goffman (1963) is the dominant form. In unfocused interaction, people interpret and assess one another’s behaviour by way of a “body idiom” for “there is an obligation to convey certain information when in the presence of others and an obligation not to convey other impressions just as there is an expectation that others will present themselves in a certain way” Goffman (1963: 35). Commuters may thus give vendors visual notice of their presence on trains (e.g., glance at them) and, at the next moment withdraw their attention (e.g., look out of the window) to convey that vendors do not constitute a target of interest. Such moments of minimal mutual focus represent cases of “civil inattention” (Goffman 1963). They are designed to make anonymity and privacy possible on public transport while signalling recognition of the claims of others in this space. Simply put, civil inattention displays respectful behaviour and underlies the personal boundaries of commuters and vendors, with commuters signalling disinterest in the sales activity without disregard for the vendors.
Vendors try to create “mutual monitoring possibilities, anywhere within which an individual will find himself accessible to the naked senses of all the others who are ‘present,’ and similarly find them accessible to him” (Goffman 1964: 135). This is because focused interaction entails establishing and sustaining attention to and mutual involvement in jointly managed activity. Vendors do this by enhancing their visibility and audibility on the train, such as standing in the clearing of the coach from which they engage in the sales pitch with a louder voice than that used to interact with other train vendors (Márquez Reiter et al. 2023) or commuters, to whom they typically give right of way on the aisles and near the doors.
When focused interactions are achieved in the form of service encounters (e.g., Márquez Reiter 2011), vendors need to balance the competing demands of the encounter they are engaged in within the larger activity of selling on trains, for their goal is to achieve as many sales as possible within the spatiotemporal dimensions of the train journey. According to the vendors: hay que sumar y si es posible multiplicar (literally ‘one has to add and if possible multiply’). Their engagement in a focused interaction with a customer can impede their visibility and hearability to others in the coach as well as constrain their ability to monitor for other signs of interest, leading them to miss potential sales.
Despite the challenges of making a living on trains, including the fact that vending though not illegal is not officially permitted (Fernández-Alvarez 2019), the train is a sought-after workplace. First, unlike mobile vending on pavements or door-to-door selling, prospects (i.e., commuters) are temporarily stationary in an enclosed space. They constitute a potential captive audience that does not need to be physically followed around open public space. Second, there are no trolley services on these metropolitan trains or a coach where miscellaneous items or food are sold and can be consumed. Train vendors who, by and large, sell food and drinks provide an important service for commuters, especially for those with long journeys. Third, the train coaches have a clearing which can be used as a ‘stage’ to perform the sales pitch and an aisle which allows vendors to walk closer to commuters while holding, showing, and offering their products to those seated on either side of the coach. These factors, in turn, help to ensure vendors’ visibility and audibility. Fourth, the train platform affords vendors the possibility of organising their merchandise ready to be displayed and sold prior to boarding the trains as well as resting and interacting with fellow workers. Indeed, it is on train platforms where vendors usually congregate and disseminate information regarding the workplace – from the presence of Public Space officials to offers at the wholesalers. It is often at the platform that vendors, in those cases when there are more than two, decide who is going to board the train and which coach they will start working on (ethnographic observations – June 2023).
4 Data and methods
Following a successful pilot study carried out with a group of four train vendors, who were part of the train workers’ cooperative, the vendors captured their daily working practices on a Buenos Aires trainline, using their mobile phones strapped to their chests (Márquez Reiter et al. 2023).[4] The vendors decided when to start and stop videorecording as they engaged in their daily work on trains and the data to be shared. The data comprise a total of 28 h (263 videos) that capture everything that can be seen within the mobile phone field in the direction the vendor is facing, especially the use of their arms, hands, and body movement (walking, torquing, stopping) when manipulating and showing products to sell.
In this paper we turn our attention to how vendors manage time and space limitations within the local ecology of the train. We examine how the progressivity of the sales pitch which is designed to encourage but not demand sales is momentarily suspended when service encounters are achieved, the train coach becomes relatively congested and material resources to achieve economic transactions are unavailable.
The video-data is supplemented by data gathered during an exploratory ethnography conducted by the first author between 3 and 17 June 2023.[5] As part of this 9 h of ethnographic observations were conducted while accompanying vendors, seven interviews with train vendors were carried out, and two meetings of the train workers’ association were observed, and audio recorded, as illustrated in Table 1 below.
This table outlines the video dataset collected, identifying four anonymised ambulant vendors (AVs) who independently recorded their own working practices over a 20-day period on a trainline. Additionally, it provides an account of ethnographic observations conducted by the first author. These observations involved accompanying vendors during their selling activities on trains (distinct from those who self-recorded their activities), conducting interviews with various vendors, and attending meetings of the train workers’ association.
Date | Data | Duration (total) | Total |
---|---|---|---|
2020–2021 | Self-recorded video data on the trainlines by 4 train vendors | 5–15′ per sales activity (28 h) | 263 videos recorded |
06–2013 | Observations of other vendors on the trainline | 60′ over a period of 9 days (9 h) | 9 meetings |
06–2013 | Interviews with train vendors | 20–30′ (3 h) | 7 interviews |
06–2013 | Audio-recording and observations of train workers’ association meetings | 60′ (2 h) | 2 meetings |
Our analysis primarily focuses on the vendors’ own-video recordings from an interactional pragmatics perspective (e.g., Márquez Reiter 2009, 2019, cf. Chang and Haugh 2011) which considers the larger social context where vendors’ situated activity is embedded and how the visible bodily actions (Kendon 2004) that are evident in the videos interact with verbal actions in the enactment of their sales activity. This allows us to account for the communicative resources vendors employ in real-time to create, sustain, and satisfy the (supposed) demand for the products being sold. Context-based interpretations of language in use (verbal and embodied) are offered according to the actions they serve to achieve and the sociocultural factors they orient to, including instances when they are not empirically crystallized in the videos but are, nonetheless, articulated in the ethnographic material.
The analysis of vendors’ verbal and embodied work practices in real-time provides a more holistic understanding of how language as a multimodal tool is deployed to make a living, how their work activity is sewn together, attuned to the environment, and responds to the inequities they face.
The video-data captures everything that can be seen within the mobile phone field in the direction the vendor is facing, hence the vendors’ heads or gaze are not visible unless when captured by another vendor’s camera. Therefore, our analytic focus is on the spatiotemporal constraints of the vendors’ sales activity as captured in the videos and on the commuters’ verbal and embodied actions.
Given the centrality of movement (walking, stopping, torquing) for ambulant vending and its evidence in the video data, knowledge gained from multimodal studies on how verbal and embodied actions in real-time coordinate and make movement possible (e.g., Mondada 2014), and contribute to the organisation of embodied interaction in public spaces (Haddington 2019) will be drawn upon, where relevant. This will be coupled with ethnographic knowledge for it enables us not to shy away from vendors’ constraints and their adaptations to the local ecology and contingencies of the train, especially when they cannot be fully explicated by the video material, and to understand how vendors’ work practices in situ respond to some of the conditions of inequality in which their labour is embedded.
The focus on vendors’ situated activity in a social domain which has received scarce linguistic attention and where movement is a sine qua non enables us to comprehend how their work gets practically done, and the service they provide to the public.
The data were transcribed following the Jefferson’s transcription system (2004). Relevant visible embodied actions were described in double parenthesis, i.e., (()), with stills aligned to their anchor points (#) in the transcript. The transcription and annotation of embodied practices were done using ELAN software.
5 Analysis
The temporariness of train travel, with frequent stops and station arrivals, increases vendor’s ability to access a consistent stream of passengers. Yet, it poses challenges to the progressivity of their overall sales activity as they attempt to secure sales in a timely fashion in a dynamically transient environment.
Vendors have to navigate the constraints posed by time-sensitive interactions within confined spaces. Space may become restricted by the presence of too many commuters on the aisles, and time is of the essence, considering the flow of passengers, especially as the train reaches the stations. For this reason, congested trains are typically avoided as are peak travelling times (ethnographic observations and interviews, 13 June 2023).
The analysis explores the dynamic interplay of the sales activity on trains by focusing on the combination of the verbal and embodied resources vendors employ to navigate challenges marked by welcomed and unwelcomed suspensions to their sales pitch. The ‘progressivity’ (Heritage 2007; Schegloff 1979; Stivers and Robinson 2006) of the sales pitch is thus taken as our analytical cornerstone. It refers to the unfolding of the vendor’s pitch over time, continuously directed at the wider audience and designed to encourage but not demand sales encounters. It serves as both the heartbeat of the vendor’s commercial endeavour and our primary point of reference for examining the rhythm of sales activities.
The vendor’s pitch which is performed in a social space characterised by ‘unfocused interaction’ (Goffman 1963), sets the stage for a public broadcast typical of public spaces. While directed to no one in particular, it seeks to capture the collective attention of the commuters to the focused interactions of service encounters. It is within this flow that the concept of ‘suspension’ emerges – not as an end to sales efforts, but as a strategic shift to a focused interaction that momentarily pauses the pitch in response to a commuter’s display of interest and/or to the contingencies of the train.
‘Suspension of progressivity’ thus refers to the temporary cessation or pause in the vendor’s ongoing sales pitch from a general offer of products in a social space where unfocused interaction and civil inattention are warranted to the transition to focused interactions (i.e., engaging with prospects or other passengers owing to the contingencies of the train). While the train environment largely constitutes an unfocused milieu where commuters engage in personal activities, the vendor’s pitch represents a bid for focused interaction. The transition from unfocused to focused interaction is not a derailment of the sales process but an integral component of their work activity.
The data show that ‘suspension’ of the sales pitch occurs when a commuter signals a readiness to engage in a focused interaction, the vendor’s movement is temporarily halted by the intricacies of train travel, and when the completion of focused interactions requires material resources which are not at their disposal, leading vendors to simultaneously engage in two or more work related tasks. These cases involve a pause in the sales pitch and/or in a focused encounter as the vendor adapts to the fluctuating demands of the train environment and attempts to overcome some of the material conditions of vending on the move.
In other words, ‘suspension’ refers to the adaptive mechanism of the vendor, a skilful modulation of activity that enables the optimisation of sales opportunities in a transient and complex setting. The term is employed to capture the essence of transitions from unfocused to focused interactions, rather than to imply any form of inactivity or absence of interaction. We observe that during suspensions, vendors engage in a one-to-one interaction. This focused engagement stands in contrast to the broader and more diffuse strategy of the ongoing sales pitch.
The subsequent sections will explore the choreography of transitions during which vendors’ sales pitch is paused or interrupted. These interruptions occur when vendors encounter sales opportunities or physical obstructions-such as other commuters, fellow vendors, or objects in the train’s isle that hinder their movement and ability to freely deliver their pitches.
The following sections analyse how vendors maintain their sales pitch’s progressivity and manage instances where this flow is temporarily suspended. Section 5.1 provides the foundational context for analysing vendor-passenger interactions, illustrating vendors’ strategic engagement with commuters and the dynamic nature of their mobile sales activities. Section 5.2 explores how vendors overcome material challenges and constraints of vending on trains. Section 5.3 focuses on how vendors handle the suspension of their sales pitch progress due to restricted mobility.
5.1 Service encounters
Train vendors aim at securing as many sales as possible by exploiting the number of transient commuters that characterises train travel. Despite the pool of prospects that the train may afford them, vendors can normally only engage in one service encounter at a time, and this can be time consuming (e.g., customers selecting from the product options or finding change) considering the time-sensitive slot at their disposal. It then follows that every service encounter achieved potentially represents a suspension of the larger sales activity oriented to the rest of the commuters and in pursuit of further sales. The temporality of the service encounter requires vendors to focus their attention on one customer to the disservice of other sales opportunities, for this prevents them from fully monitoring other signs of interest as they stand near the customer’s seat (ethnographic observations, 12–14 June 2023).
The initial example in this section sets the stage for the subsequent instances detailed within this article, presenting the foundational context for the ensuing analysis of vendor-passenger interactions.
The first example depicts a vendor’s sales pitch for a notepad and pen set priced at 50 pesos (Excerpt 1 below, lines 1–23). Near the end of the sales pitch in Excerpt 1, the vendor suspends the pitch in response to an embodied action from a commuter (Excerpt 2, lines 22–41) which functions as a pre-request to buy a notepad and pen.
Subsequently, a second purchase is initiated by another commuter seating nearby (Excerpt 3, lines 42–64). This unfolds simultaneously with the vendor’s general call to the passengers in line 44, succinctly announcing the price, “Cincuenta pesos abonan/Fifty pesos for these.” This moment of overlap – where the vendor’s general call co-occurs with an individual’s purchasing action exemplifies the dynamic and overlapping nature of interactions within this type of mobile sale activity.
Excerpt 1 demonstrates the vendor’s tactical approach to engage commuters by strategically structuring the sales pitch. Instead of beginning with traditional greetings, the vendor immediately presents the product to capture their attention, leaving the opening (e.g. greetings) of the sales pitch for later. In line 3, the vendor employs a hook by highlighting the utility of the product with the phrase, “PARA LA CARTERA = PARA EL BOLSO” (“For the handbag = for the bag”), before actually naming the product. This technique, common among ambulant vendors, serves to pique interest early in the interaction.
Following this, in line 4, the vendor greets the commuters, presents the product, mentions its price, and offers practical examples of its affordances, such as “to do the math” (line 19) Throughout the pitch, the vendor provides reminders of the product’s price and utility. By utilising these strategies, the vendor creates a perceived need for the product, aligning the pitch with the commuters’ collective knowledge and adapting it to their immediate or personal use (Márquez Reiter et al. 2023).
The vendor’s interactional tactics effectively manage the flow of the pitch. The deliberate sequencing – from the utility-focused hook to product demonstration and practical examples – facilitates a smooth transition from initial engagement to the closing of the sales pitch. This method ensures the pitch remains relevant and persuasive, catering to the commuters’ situational needs and enhancing the likelihood of a successful transaction.
To support these interactional selling tactics, the vendor’s embodied behaviour plays a crucial role. The vendor walks along the aisle of the train (first section of the coach before the doors) three times, hence passing by the same commuters on three repeated ocassions. The first time, she walks relatively fast using a high volume, then slows down and continues pitching in a high volume, though at a lower speech rate. When walking, she torques her body slightly to the sides facing commuters, but without staring at them, in line with the civil inattention that characterises the space of the train.
In Excerpt 2, a first sales transaction (lines 23–37) unfolds, (also illustrated at the end of Excerpt 1, lines line 22–23), as the vendor delivers a summarised upshot of the product while walking along the train aisle (line 22) (Márquez Reiter et al. 2023), and a commuter expresses interest by trying to make eye contact, orienting her head (upwards and to her right) towards the vendor and holding up a one-hundred pesos note (line 23 and Image 1) with her left hand. This embodied composition of posture and orientation of her upper body (head, gaze, arm and hand) is held for at least 0.4 s. During this time, the vendor pauses the pitch to transition from an unfocused to a focused interaction with the prospect, stops and turns towards the prospect’s seat. While the prospect’s preparation phase is not seen in the video, the recording captures the prospect’s body posture and how she retracts it by lowering her arm, looking down and turning her head forward as she waits for the vendor to get change. The vendor responds verbally to the prospect’s pre-conditional request for change (line 24), confirming thus that the sales is contingent on obtaining the right cash.
The material display of money and its observability by the vendor is enabled by the physical proximity afforded by the aisle and the viewing it provides to each party (i.e., seated vs. standing viewing). It allows the payment phase of the service encounter to take place earlier and to obviate non-essential elements (e.g., greetings) (Márquez Reiter 2011).[6] It is also indicative of the material challenges faced by vendors regarding payment options, and their need to carry the right type of change considering the product price and the notes in circulation at the time.[7]
The co-occurrence of the passenger’s head movement towards the vendor as he becomes proximally close, and the display of money indicate that the passenger is now a prospect. It offers a direct signal to the vendor of the passenger’s communicative goal: a summons to shift from unfocused to focused interaction. The note constitutes a pre-conditional request for change and ensures the vendor understands what is required for a sale to be achieved prior to engagement. It makes relevant the transitory nature of vending on trains, the time-boundedness of service encounters therein and the passenger’s attunement to the vendor’s activity.
The vendor responds to the summons (Levinson 1983; Schegloff 2007) by confirming their ability to provide change (line 24). This is done with the inclusion of the spatial deictic adverb “ahí” (‘there’) functioning as a temporal indicator in initial position and uttered with a higher volume, relative to the rest of service encounter. It indicates that the change will be provided there and then, and that the transaction can be effected. Before handing over the product the vendor gives the change to the customer (lines 26–28) using a higher volume of voice when counting the money. This serves a two-fold purpose: it helps to establish the vendor as a reliable service provider and represents a potential hook for those who may be interested in the product but are unsured if the vendor can provide change.
The higher voice volume serves as an alignment signal, indicating that the requirements of a sales transaction can be met. It confirms the availability of change and underlies the footing (Goffman 1981) adopted, aligning the vendor with the image of an efficient and trustworthy salesperson. In short, the footing adopted demonstrates the vendor’s competence, preparedness, and expediency.
Immediately following the first transaction (Excerpt 2, lines 22–41), a nearby passenger (i.e., seated on the other side of the aisle, one row behind C, Image 5 below) summons the vendor (Excerpt 3 below) by lifting her head and chin up in the direction of the vendor whilst holding her wallet in her hands (Image 5), as the vendor uses the momentum of the just achieved sales to resume the pitch before engaging with another customer. Thus, in line with the previous example, prospects adjust their embodied orientation toward the vendor to transition from unfocused to focused interaction (De Stefani and Mondada 2018) and accompany it with a relevant material display (i.e., money, wallet).
The short gap between the end of the first service encounter (Excerpt 2, line 40) and the re-initiation of the pitch via a summarised upshot of the product focusing on its value only (Excerpt 3, line 44) allows the vendor to efficiently address both activities simultaneously (lines 43–45). This chaining of transactions demonstrates how the spatial arrangement of seats and proximity (see Image 5) can influence sales opportunities and create momentum for others to buy products, when they are within auditory and visual range of the vendor. It shows how spatial proximity can affect the temporality and structure of the service encounters.
The limited space of the coach aisle from which vendors typically engage in focused interactions with prospects can, however, present advantageous opportunities and result in further sales. The data show how the spatial closeness between the vendor and passengers during service encounters can create a “contagious effect” (Cialdini and Goldstein 2004 on ‘social influence’), leading to more sales as nearby commuters, who might have been initially disinterested or unaware of the vendor’s presence, may be prompted to unplanned purchases (e.g., Stivers et al. 2009). Hence, an observable service encounter in action, even if heard but only captured peripherally (Heath and Luff 1992; vom Lehn et al. 2001) offers prospects more time to decide whilst the vendor is standing close by.
In the second transaction captured in Excerpt 3 below, the vendor strategically addresses both, commuters on the coach and a single customer by modulating their volume as they shift from a focused interaction to the unfocused interaction that characterise the space of the train. The vendor raises their voice to make the ‘call’ (line 44) trying to attract the attention of prospects. In contrast, they adopt a lower and softer volume when ascertaining the customer’s pen colour preference (line 48) engaging thus in a more personalised interaction with the passenger. Volume modulation is thus used to enhance the efficiency of the sales pitch and signals the different interaction orders the vendor attends to.
Once the customer chooses a colour (line 51), the vendor lists (Jefferson 1988) all available pen colours using a higher volume to effectively reach the customer and other commuters. It is not clear if the vendor heard C2 saying “red” or if they wanted to reinforce their salesperson footing in the light of there being other potential prospects on the coach.
The examined segment reveals a pattern of actions and responses between the vendor and the second passenger (C2). C2 initiates the interaction by requesting the product on sale (line 43). The vendor reacts by inquiring about their colour preference (line 45). The customer’s immediate response is non-verbal: turning their head to look at their accompanying passenger (line 46), presumably to inquire about the colour preference (not hearable in the video). It functions as a pre-conditional inquiry, seeking information needed to complete the purchase transaction.
The sequence continues as the prospect’s gaze is directed towards the accompanying passenger, who subsequently chooses a colour (line 49). Once the colour preference is established, the customer’s attention returns to the vendor (line 51). Notwithstanding this, the vendor repeats all available colours in a higher volume (line 52), attempting to maintain continued attention to themselves and to the offer given that it is not immediately visible to others in the coach. Immediately after this, the customer verbally repeats their selected colour to let the vendor know their decision (line 54) and the vendor confirms it in high volume (line 56), highlighting her marketing-like strategies (e.g., fluctuations in vocal volume) resulting from the efficient management of time and space constraints during sales rounds on the train, and how spatial proximity can influence sales opportunities.
5.2 Overcoming the material conditions of vending on the move
In Excerpt 4 below, a commuter requests change amounting to 1,000 pesos (implicitly assumed as a precondition for the purchase), resulting in a disruption to the vendor’s activity due to the unavailability of change. The prospect apologises (line 107) for what turns out to be a truncated sale resulting in the vendor’s temporary pitch suspension.
The prospect’s initial action of apologising and explaining their inability to complete the purchase can be seen as a repair strategy aimed at mitigating potentially negative repercussions for the vendor’s activity. By acknowledging their inability to meet the vendor’s expectations, they display an understanding of the circumstances involved in train vending and of the civility that characterises passenger-vendor relations. The vendor handles the situation by initially minimising the perceived ‘wasting time’ action (line 111), demonstrating professionalism. The vendor’s response in line 111 (“maybe another time, it doesn’t matter”) suggests alternative future opportunities for the customer to purchase a beverage. It indicates non-resentment towards the situation, thus providing a means to resolve the issue while maintaining a positive social relationship. That it is produced in a higher volume suggests the vendor’s simultaneous orientation to the prospect and to other commuters within hearable proximity on the coach. Immediately after that, the vendor seeks change from a fellow vendor working on the same coach (segment not included in Excerpt 2).
Subsequently, the vendor closes the interaction with the prospect by proposing an arrangement (lines 115–118). Contingent on the vendor obtaining change within the space of the coach, the time-boundedness of train travel and their work therein, the cash would then function as a tie (Mazeland 2004) to re-engage in a focused interaction with the prospect and secure the sale. The arrangement shows customer service responsiveness to the prospect and to potentially others on the train, as well as some of the material challenges of having to earn a living on the move.
Multitasking is an endemic feature of vending on the move. Vendors rely on their bodies to carry their merchandise with them while displaying selected samples and managing the spatiotemporal constraints of a moving train. This requires the maintenance and coordination of relevant courses of action in parallel or sequentially (Haddington et al. 2014) in pursuit of multiple sales opportunities, as well as corporeal stability.
Excerpt 5 below illustrates one of the vendors’ distinctive multitasking strategies within the context of their sales pitch as they concurrently engage in two or more work-related tasks. In this instance, the vendor suspends the progressivity of the sales pitch as they engage in the sale of a drink but attempts to maintain the verbal articulation of the pitch once the customer has been secured (line 61). This enables the vendor to capitalise on the just achieved sale and effectively manage the limited time window inherent to this type of sales activities; thereby, optimising sales efficiency and overall productivity.
In line 51, the vendor proactively lists (Jefferson 1990) all the available drink options despite the prospect’s yes/no question (“don’t you have flavoured ones”, line 50) which specifically inquiries about flavoured water. By presenting the full range of available products, the vendor employs a marketing strategy that enhances their chances of making a sale not only to this prospect but also to others within earshot. It serves to maximise sales opportunities and minimise the risk of an unsuccessful sale considering the time-boundedness of vendors’ activity and of train travel. The strategy proves successful, as the prospect ultimately purchases a bottle of mineral water instead of the only option of flavoured water initially offered. Had the vendor simply stated, “I only have orange flavoured water”, the prospect may have declined the offer altogether.
While awaiting payment, the vendor adopts a professional posture (Svinhufvud 2018) (see Images 11 and 12 below) and seizes the opportunity to resume the pitch as the customer lowers their gaze to search for money to pay for the water (line 57). Just before the vendor resumes the pitch, the customer inquiries about the product price (line 60). The vendor, however, prioritises the pitch over providing an answer, once again using a higher volume to reach other commuters on the coach The vendor’s delayed response (line 63) is facilitated by the achievement of the sale and the brevity of their pitch, allowing them to continually indicate their presence and availability to other commuters.
In Excerpt 5 the vendor displays additional multitasking strategies. In line 68, the vendor engages in three simultaneous actions: meticulously organising change with both hands, sorting it by the denomination of notes (Image 14), whilst holding a product sample and moving along the aisle.
This example encompasses various sales activities: individualised customer engagement while proceeding with the sales pitch, and the transition from the service encounter back to general sales activity, aimed at capturing additional sales opportunities. It underscores the adeptness of these train vendors in handling the suspension of progressivity within their sales pitch as they deftly manage the interplay of time and space characteristic of their daily work routines. The need to transition between unfocused and focused interactions in a transient space is coupled with several material conditions of earning a livelihood on the move. These conditions include not having access to the right change, attempting to procure it within the spatiotemporal limitations of the train travel, and, contingent on obtaining it, resuming or aborting the transaction.
Other factors which may impinge on the progressivity of the pitch relate to the fluidity of movement that is possible in the space of the train. We turn our attention to this in the next and last subsection of the analysis.
5.3 Suspension of mobility (walking) during the sales pitch
The coach clearing and the aisle from which vendors typically offer their merchandise can be further constrained by overcrowding, leading to the (partial) suspension of the pitch’s progressivity. While, in theory, the presence of more passengers may result in potentially more customers, it restricts vendors’ physical mobility. It forces them to continuously stop and re-start their pitch as they find a gap to move to or decide to go onto the next coach. Pitch postponements may also occur when trains are not full but passengers aboard the train and walk along the coach aisle to find a seat.
Excerpt 6 below shows how vendors manage to resume their sales pitch when such momentarily suspensions occur. It illustrates a case of partial suspension of vendors’ sales activity as the vendor walks along the coach aisle using an extended ‘call’ format (i.e., mentioning the range of drinks on offer and their quality). Upon noticing a passenger walking towards them, the vendor continues with the pitch but stops walking (line 98). The vendor moves towards the doors and temporarily stands there to give the passenger right of way. This temporary pause affects the vendor’s movement trajectory: it suspends their lower limbs mobility (i.e., stops walking), while continuing to verbally articulate the pitch. Although the vendor is not entirely visible to commuters on the coach at this moment (Image 16), their continued vocal activity aims at ensuring they can still be heard. Once the passenger walks past, the vendor resumes movement along the coach while seamlessly continuing with the ‘call’.
The halting of movement while continuing with vocal activity shows the vendor’s adaptability to the temporal-spatial constraints of the train and their orientation to the social dynamics therein, where passengers are typically treated as occupying a legitimate position relative to vendors. Vendors typically display their professional ‘embodied stance’ (Goodwin 2007) as they give priority to passengers. Vendor-initiated passage facilitation involves their pausing ongoing activities and temporarily positioning themselves ‘on the side’, acknowledging commuters’ presence and prioritising their convenience over their own sales activities. It signifies a momentary shift in the vendor’s attention and behaviour, reflecting their awareness of the moral order (Márquez Reiter 2022) of this shared space and willingness to temporarily adjust their positioning to ensure smooth movement for others. In essence, this action conveys the vendor’s cooperative and customer-centric stance, fostering a positive and respectful interaction with the commuters, and their orientation to passengers’ right to occupy this space v. their own.
The interweaving of verbal and embodied actions observed in Excerpt 6 and in the behaviour of other train workers in the corpus consists of multimodal actions in pursuit of respectful service encounters. The potential separability of these actions (e.g., walking past seated passengers showing products without any verbal articulation and the possibility of verbal articulation unaccompanied by visual display) is what enables these train vendors to continue with their sales activity within the time and space constraints of train journeys.
In some cases, the obstruction of movement can lead to a complete suspension of progressivity, necessitating a halt to both corporeal (walking) and verbal actions. When vendors seek to move through areas occupied by passengers, they have the option of either employing their bodies to negotiate the space or opting for a more socially considerate method: accompanying embodied displays with a politeness formula. In so doing, vendors engage in a communicative act that acknowledges the presence of others. Vendors operating within the intricate dynamics of crowded train coaches exhibit a clear understanding of the social rules needed to pursue their work. Across the dataset, we observe a consistent pattern wherein vendors seek permission from commuters to pass through when their paths are obstructed.
Excerpt 7, below, illustrates how vendors utilise perfunctory apologies (Goffman 1967) to this end: uttering conventionalised politeness formulas (Márquez Reiter 2000) such as “excuse me” and “sorry” (lines 81, 88).
The uttering of perfunctory apologies makes relevant the obstruction to the progressivity of the pitch from the vendor’s perspective in a space generally characterised by unfocused interaction. The vendor thus makes relevant their presence to passengers using the space of aisle. These apologetic tokens coupled with the giving of thanks (line 83) as they pass through constitute an announcement of their presence which is not treated by the passengers with any signs of surprise or newsworthiness. They serve to accomplish overt aisle-passenger attentiveness to their presence and indicate alignment with the social norms expected in this public shared space.
The action of proffering a formulaic apology token momentarily suspends progressivity, after which the vendor promptly resumes the sales pitch (line 84). Notably, when addressing commuters obstructing their path, the vendor adopts a lower volume to announce that they are coming through (lines 81, 88). Conversely, during the sales pitch, they utilise a higher volume to engage the general audience within the coach. In essence, they adeptly transition from addressing those near them to trying to captivate the entire coach with the sales presentation.
The level of politeness proffered stands in contrast with that of commuters performing similar actions (ethnographic observations on this trainline-June 2023). It is indicative of the way vendors strive to maintain an image of professionalism informed by the norms of civility (Goffman 1963) that ought to operate in this shared public space and in the provision of services. It is also one of the norms discussed and emphasised in the meetings of the train workers’ association as well as brought to light in interviews conducted with various (train) vendors el respeto al público ante todo (lit. trans. ‘above all, respect towards the public’).
Although the presence of perfunctory apologies is not always necessarily relevant for progressivity, they are commonly proffered to move along the coaches as the train becomes relatively full. They are part of the civility expected of vendors in public space.
6 Conclusion
This paper examined how a group of workers in public space master the progressivity of their overall sales activity against the time-spatial constraints that characterise the social space of the train based on vendors’ own video-recordings of their daily work activity and knowledge gained from an exploratory ethnography. This has allowed us to document and analyse their work activity in real-time, enabling us to reach a more holistic understanding of the value of their labour as situated in its visual, physical and material context, the raison d’etre of the practices reported, and some of structural and material constraints that motivate it.
Installing multiple cameras on the train coaches used by vendors would have provided a more comprehensive perspective of the scene, capturing vendors’ head movements, gaze, and other dynamics of the environment. However, such an arrangement would not necessarily have facilitated the identification of what the participants observed or focused on. Moreover, implementing this setup would not have been possible or practical. Train vending is not officially permitted and substantial resources would have been required to instal cameras across the nine coaches of the train.
The train environment offers a unique tapestry of constraints and opportunities where vendors must calibrate their approach by continuously juggling between the ambient sales pitch and the pointed attentiveness of direct transactions. The interplay of these modes of interaction is important to understand how vendors maintain the fluidity of their commercial narrative within the flow of the train’s social milieu. The analysis has shown how vendors suspend and resume the progressivity of their sales pitch by skilfully integrating speech, embodied movements, spatial arrangements, and other non-verbal cues in a mobile transient space characterised by unfocused interaction. In this environment, physical space and time are intricately connected for both vendors and commuters. Vendors thus have to coordinate their speech and corporeal movements to respectfully navigate their way along the train, while attempting to sustain attention to themselves in pursuit of multiple sales.
The enclosure of the train coach enables vendors to be heard by commuters within earshot. It also allows them to modulate the volume of their speech as they transition to and from the general sales pitch to the focused interactions of service encounters. We have shown how prospective customers transition from unfocused to focused interaction by way of their embodied orientation toward the vendor. As the vendor gets proximally close to their seats, prospects orient their head, gaze, and torso in the direction of the vendor while holding and displaying money (cash, money wallet). This embodied summons warrants vendor’s engagement. It suggests that peripheral awareness and hearing are active in the unfocused interaction that characterises the anonymity of train travel. It also indicates passengers’ attunement to the vendor’s sales activity, for it offers the vendor time to complete the activity in progress or to pause it at an appropriate interactional juncture before proceeding to a focused encounter with the prospect. Prospects’ meaningfully oriented behaviour towards vendors evince the comprehensibility of the verbal and embodied actions that characterise vendors’ work activity, its motives and the adequacy with which it is conducted.
Prospects’ behaviour coupled with vendors’ sales pitches which are designed to encourage sales while respecting passengers’ right to civil inattention, provide evidence of the general civility that characterise relations between passengers and vendors, and the value of their labour. Both parties demonstrate an awareness of each other’s goals, needs, roles, and limitations throughout the interactions. For instance, the lack of response by a prospect to the vendor’s greeting serves as a means of saving time. It underlies the time-boundness of sales encounters on trains and the ubiquity of train vendors. Similarly, the presence of apologies and thanking from vendors and prospects to one another, reveals the consideration with which they orient to each other’s presence on trains.
The findings have shown that multitasking is an integral part of vendors’ working practices, considering the time-boundedness of their work activity on trains and the material conditions of selling on the move, requiring reliance on their bodies to carry the merchandise and display it, while maintaining their own balance. For instance, whilst engaging in service encounters, vendors are temporarily stationary insofar as walking is concerned. Being temporarily motionless (not walking), does not mean that they are passive. We have seen how they concurrently perform various work-related activities: serving a customer and organising cash while resuming the sales pitch in a louder voice, and pausing transactions while they attempt to obtain the material resources needed for these to be achieved (i.e., the right change).
Vendors’ ability to seamlessly transition between unfocused to focused interactions, bridging the gap between sales pitches and sales encounters, showcases their juggling and marketing-like skills. We have observed how they capitalise on a sale to try to capture the attention of the broader audience, by the deployment of lists and fluctuations in vocal volume and speech rate.
Contrary to the view that VPS clutters the environment and is disorderly, the study has demonstrated the methodicalness and highly dexterous nature of these train vendors’ working practices, how their work fills a gap in the market by providing otherwise unavailable services to commuters, and the general civility with which they conduct themselves.
Finally, we hope that this study has contributed to decentring the gaze of pragmatics and sociolinguistics from traditional social domains to pervasive social contexts characterised by ingrained social inequalities.
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Competing interests: We have no conflicts of interest to disclose, and we declare that this manuscript is original and that is not being considered for publication elsewhere.
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Articles in the same Issue
- Frontmatter
- Articles
- The economics of Japanese: investigating the demand for Japanese language skills in the Pearl River Delta labor market
- Keeping the pitch on track: spatiotemporal challenges in ambulant vending on a Buenos Aires trainline
- The slowness of language, the speed of capital: conflicting temporalities of the “green transition” in the Swedish north
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