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Tattoos as multimodal semiotic assemblages

  • Felix Banda ORCID logo , Shanleigh Dannica Roux ORCID logo EMAIL logo and Amiena Peck ORCID logo
Published/Copyright: March 8, 2024

Abstract

Drawing on interviews with, and images from, a selection of female participants, we develop the notion of semiotic assemblages to examine tattoos as mobile semiotic material for embodied meaning-making, with multi-located trajectories linking the tattooed bodies to different spatial networks. In turn, we draw on the social semiotic approach to multimodality by looking at assemblages of tattoos as vibrant material, pregnant with thing-power which, while re-making the bodies of individual tattoo owners, simultaneously shapes and semiotically remediates physical and affective (e.g. emotional and memorial) objects and feelings. We illustrate how corporeal materials and activities, and the incorporeal conceptual, perceptual and affective senses and feelings are remediated across boundaries of language, geography, semiotic modes, media, and chains of mediation to make meaning. We end with a suggestion that multimodal analysis of semiotic assemblages needs to take a multiscalar approach to account for mobilities, movements and flow, and the continuities and disconnections in forms and meanings the dynamics of the connectedness produce across different scales.


Corresponding author: Shanleigh Dannica Roux, Centre for Multilingualism and Diversities Research, 56390 University of the Western Cape , Cape Town, South Africa, E-mail:

  1. Research funding: This work was funded by the National Institute for the Humanities and Social Sciences.

  2. Competing interests: The authors report there are no competing interests to declare.

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Received: 2023-09-27
Accepted: 2024-02-14
Published Online: 2024-03-08

© 2024 Walter de Gruyter GmbH, Berlin/Boston

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