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The Mutiny of the Pseudonyms in the Kierkegaardian Authorship

  • Paulo Henrique Lopes EMAIL logo
Published/Copyright: August 18, 2020
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Kierkegaard Studies Yearbook
From the journal Kierkegaard Studies Yearbook Volume 25 Issue 1

Abstract

The essay emphasizes the unsolvable tension between activity and passivity implied in Kierkegaard’s reduplication as an author of authors. To characterize the different approaches to pseudonymity, I will use the term Halvbefaren [the inexperienced seaman] to refer to a reading that appeals only to Kierkegaard’s or to the pseudonyms’ authority over the authorship, and Helbefaren [the experienced seaman] to refer to another interpretation that recognizes that unsolvable tension between them. Recurring to the sailing metaphor implicit in these terms that appear in Climacus’ Postscript, I defend the thesis that the pseudonyms open the authorship from within, overcoming Kierkegaard as a usual author, as the only captain of the entire authorship. The mutiny performed by the pseudonyms cannot be resolved by simply transferring the authority to the pseudonyms themselves, and it creates a subjective space in the authorship so it becomes a matter of the experience of the reader.

Online erschienen: 2020-08-18

© 2020 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Front matter
  2. Title pages
  3. Preface
  4. Contents
  5. Articles
  6. Section 1: Problems and Perspectives in Kierkegaard’s Authorship
  7. Section 1:   Problems and Perspectives in Kierkegaard’s Authorship
  8. A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered
  9. Between the Two Ethics: Why Assessor Wilhelm is not a Judge
  10. Narrative Variation and the Mood of Freedom in Fear and Trembling
  11. On Fear and Trembling’s Motif of the Promise: Faith, Ethics and the Politics of Tragedy
  12. The Ambiguity of Mimesis: Kierkegaard between Aesthetic Fantasy and Religious Imitation
  13. Know Yourself in the Mirror of the Word: Kierkegaard on Self-Knowledge
  14. „Mein Bestreben, das Martyrium zu verherrlichen…“ Zur Idee des Martyriums in Kierkegaards Journalen ab 1846
  15. Section 2: Kierkegaard’s Sources and Historical Context
  16. Section 2:   Kierkegaard’s Sources and Historical Context
  17. The Faust Project in Kierkegaard’s Early Journals
  18. Of Clairvoyants and Mousvoyants: Kierkegaard’s Polemic against Speculative Philosophy in the “Telegraph Messages”
  19. Section 3: Receptions and Reflections of Kierkegaard’s Thought
  20. Section 3:   Receptions and Reflections of Kierkegaard’s Thought
  21. Does Kierkegaard’s Rewritten Parable of the Good Samaritan Leave the World to the Devil? Kierkegaard and Adorno on What it Means to Love one’s Neighbor in the Modern World
  22. Kierkegaard and Beauvoir: Existential Ethics as a Humanism
  23. Double Consciousness and Despair: Exploring a Connection Between Søren Kierkegaard and W.E.B. Du Bois
  24. Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death
  25. Section 4: Kierkegaard’s Authorial Strategies
  26. Section 4:   Kierkegaard’s Authorial Strategies
  27. The Mutiny of the Pseudonyms in the Kierkegaardian Authorship
  28. Section 5: Primary Texts in Translation
  29. Section 5:   Primary Texts in Translation
  30. Johan Ludvig Heiberg’s “Literary Winter Crops” and Kierkegaard’s Polemic
  31. Back matter
  32. Abbreviations
  33. List of Contributors
https://doi.org/10.1515/kierke-2020-0014

Articles in the same Issue

  1. Front matter
  2. Title pages
  3. Preface
  4. Contents
  5. Articles
  6. Section 1: Problems and Perspectives in Kierkegaard’s Authorship
  7. Section 1:   Problems and Perspectives in Kierkegaard’s Authorship
  8. A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered
  9. Between the Two Ethics: Why Assessor Wilhelm is not a Judge
  10. Narrative Variation and the Mood of Freedom in Fear and Trembling
  11. On Fear and Trembling’s Motif of the Promise: Faith, Ethics and the Politics of Tragedy
  12. The Ambiguity of Mimesis: Kierkegaard between Aesthetic Fantasy and Religious Imitation
  13. Know Yourself in the Mirror of the Word: Kierkegaard on Self-Knowledge
  14. „Mein Bestreben, das Martyrium zu verherrlichen…“ Zur Idee des Martyriums in Kierkegaards Journalen ab 1846
  15. Section 2: Kierkegaard’s Sources and Historical Context
  16. Section 2:   Kierkegaard’s Sources and Historical Context
  17. The Faust Project in Kierkegaard’s Early Journals
  18. Of Clairvoyants and Mousvoyants: Kierkegaard’s Polemic against Speculative Philosophy in the “Telegraph Messages”
  19. Section 3: Receptions and Reflections of Kierkegaard’s Thought
  20. Section 3:   Receptions and Reflections of Kierkegaard’s Thought
  21. Does Kierkegaard’s Rewritten Parable of the Good Samaritan Leave the World to the Devil? Kierkegaard and Adorno on What it Means to Love one’s Neighbor in the Modern World
  22. Kierkegaard and Beauvoir: Existential Ethics as a Humanism
  23. Double Consciousness and Despair: Exploring a Connection Between Søren Kierkegaard and W.E.B. Du Bois
  24. Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death
  25. Section 4: Kierkegaard’s Authorial Strategies
  26. Section 4:   Kierkegaard’s Authorial Strategies
  27. The Mutiny of the Pseudonyms in the Kierkegaardian Authorship
  28. Section 5: Primary Texts in Translation
  29. Section 5:   Primary Texts in Translation
  30. Johan Ludvig Heiberg’s “Literary Winter Crops” and Kierkegaard’s Polemic
  31. Back matter
  32. Abbreviations
  33. List of Contributors
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