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The Faust Project in Kierkegaard’s Early Journals

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Published/Copyright: August 18, 2020
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Abstract

This article offers a detailed and compact account of what might be called Kierkegaard’s Faust project, that is, the collection of notes, bibliographies and reflections on the mythical German necromancer that the young Kierkegaard registered in his various journals and notebooks from the years 1835 – 1837. As is well known, the young writer presumably intended to pen a book or essay about the universal idea represented by Faust. Additionally, I discuss Kierkegaard’s project within the context of the 1830s, the reception of the Faustian myth among his Danish contemporaries such as J.L. Heiberg and H.L. Martensen, and the enthusiasm for Goethe that seized Copenhagen during those years.

Online erschienen: 2020-08-18

© 2020 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Front matter
  2. Title pages
  3. Preface
  4. Contents
  5. Articles
  6. Section 1: Problems and Perspectives in Kierkegaard’s Authorship
  7. Section 1:   Problems and Perspectives in Kierkegaard’s Authorship
  8. A Christian Art? Søren Kierkegaard’s Views on Music and Musical Performance Reconsidered
  9. Between the Two Ethics: Why Assessor Wilhelm is not a Judge
  10. Narrative Variation and the Mood of Freedom in Fear and Trembling
  11. On Fear and Trembling’s Motif of the Promise: Faith, Ethics and the Politics of Tragedy
  12. The Ambiguity of Mimesis: Kierkegaard between Aesthetic Fantasy and Religious Imitation
  13. Know Yourself in the Mirror of the Word: Kierkegaard on Self-Knowledge
  14. „Mein Bestreben, das Martyrium zu verherrlichen…“ Zur Idee des Martyriums in Kierkegaards Journalen ab 1846
  15. Section 2: Kierkegaard’s Sources and Historical Context
  16. Section 2:   Kierkegaard’s Sources and Historical Context
  17. The Faust Project in Kierkegaard’s Early Journals
  18. Of Clairvoyants and Mousvoyants: Kierkegaard’s Polemic against Speculative Philosophy in the “Telegraph Messages”
  19. Section 3: Receptions and Reflections of Kierkegaard’s Thought
  20. Section 3:   Receptions and Reflections of Kierkegaard’s Thought
  21. Does Kierkegaard’s Rewritten Parable of the Good Samaritan Leave the World to the Devil? Kierkegaard and Adorno on What it Means to Love one’s Neighbor in the Modern World
  22. Kierkegaard and Beauvoir: Existential Ethics as a Humanism
  23. Double Consciousness and Despair: Exploring a Connection Between Søren Kierkegaard and W.E.B. Du Bois
  24. Hitchcock Meets Kierkegaard: Selfhood and Gendered Forms of Despair in Vertigo and The Sickness unto Death
  25. Section 4: Kierkegaard’s Authorial Strategies
  26. Section 4:   Kierkegaard’s Authorial Strategies
  27. The Mutiny of the Pseudonyms in the Kierkegaardian Authorship
  28. Section 5: Primary Texts in Translation
  29. Section 5:   Primary Texts in Translation
  30. Johan Ludvig Heiberg’s “Literary Winter Crops” and Kierkegaard’s Polemic
  31. Back matter
  32. Abbreviations
  33. List of Contributors
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