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Veröffentlicht/Copyright:
5. Mai 2023
Published Online: 2023-05-05
Published in Print: 2023-04-25
©2023 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Research Articles
- Analysis of China’s Film Industry in 2022
- Theory of the Filmic: Classical Interpretation of Chinese Film Aesthetics
- Perspectives on Narrative Time in Chinese Cinema
- “Kongqi” Theory and the Aesthetic Spirit of Chinese Film
- On the “Imagination Consumption” of Film in the Internet Age
- A Revisionist Reading of The Goddess: Visual Narrative Power in Chinese Silent Cinema
- “Home, Sweet Home”: Identity and Diaspora in Bai Jing-rui’s Qiong Yao Films
- A Comparative Analysis of “Rural Science Fiction”, a New Chinese Film Genre
- Animating Eco-aesthetics: Multiplanar Images, Interspecies Government, and Eco-conscious Gaming in The Legend of Hei (2019) and Its TV Series (2011–Present)
- Jinxed by Incantation? Contemporary Chinese Netizens’ Reactions to a Horror Film
Artikel in diesem Heft
- Frontmatter
- Research Articles
- Analysis of China’s Film Industry in 2022
- Theory of the Filmic: Classical Interpretation of Chinese Film Aesthetics
- Perspectives on Narrative Time in Chinese Cinema
- “Kongqi” Theory and the Aesthetic Spirit of Chinese Film
- On the “Imagination Consumption” of Film in the Internet Age
- A Revisionist Reading of The Goddess: Visual Narrative Power in Chinese Silent Cinema
- “Home, Sweet Home”: Identity and Diaspora in Bai Jing-rui’s Qiong Yao Films
- A Comparative Analysis of “Rural Science Fiction”, a New Chinese Film Genre
- Animating Eco-aesthetics: Multiplanar Images, Interspecies Government, and Eco-conscious Gaming in The Legend of Hei (2019) and Its TV Series (2011–Present)
- Jinxed by Incantation? Contemporary Chinese Netizens’ Reactions to a Horror Film
