Startseite The Impossibility of Fleeing: The Deconstruction of Urban Space in Martyna Majok’s Cost of Living
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The Impossibility of Fleeing: The Deconstruction of Urban Space in Martyna Majok’s Cost of Living

  • Anna Bendrat

    is an Assistant Professor at the Department of English and American Studies at Maria Curie-Skłodowska University in Lublin, Poland. As a member of a research team on cognitive poetics, she focuses her interests on the metaphors of the body in contemporary American literature and media. Her current research concentrates on contemporary American drama and its rhetorical constructions of marginalized identities. She is a board member of the Polish Rhetoric Society and an editor of two international journals: Res Rhetorica and New Horizons in English Studies. In 2016, she published a book titled Speech is Golden: American Presidents and Rhetoric (Mowa jest złotem: Amerykański prezydent i retoryka).

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Veröffentlicht/Copyright: 12. Mai 2023
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Abstract

In The Ontology of the Accident, Catherine Malabou describes the phenomenon of a “form born of the accident, born by accident, a kind of accident,” when due to a “deep cut” in a biography, the individual’s path of life trajectory splits and a “new, unprecedented persona comes to live with the former person” (1–2). This article proposes that Martyna Majok’s 2018 Pulitzer-awarded drama Cost of Living can be understood through Malabou’s extensive work on physical trauma and ruptures to the human life cycle as a result of accidents. In Majok’s work, two intertwining impositions of a new form on an old form are explored through the characters of Ani, a Polish immigrant who has become quadriplegic following a tragic car crash, and Jess, a first-generation graduate who struggles both financially and emotionally to find her place in a city hostile to immigrants. The city backdrop of the play, described by Majok as “the urban East of America” (5), acts as perimeter of and boundary to mobility, but also as a conceptual frame. The article uses Malabou’s concept of destructive plasticity to explore how the city with its inbound and outbound mobility becomes a spatial and political frame for articulating the consequences of the lack of exteriority which usually serves as a mental escape and space of existential relief.

About the author

Anna Bendrat

is an Assistant Professor at the Department of English and American Studies at Maria Curie-Skłodowska University in Lublin, Poland. As a member of a research team on cognitive poetics, she focuses her interests on the metaphors of the body in contemporary American literature and media. Her current research concentrates on contemporary American drama and its rhetorical constructions of marginalized identities. She is a board member of the Polish Rhetoric Society and an editor of two international journals: Res Rhetorica and New Horizons in English Studies. In 2016, she published a book titled Speech is Golden: American Presidents and Rhetoric (Mowa jest złotem: Amerykański prezydent i retoryka).

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Published Online: 2023-05-12
Published in Print: 2023-05-03

© 2023 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. Acknowledgements
  4. Place-Making, Identities, and the Politics of Urban Life: Theatre and the City. An Introduction
  5. Punchdrunk’s Kabeiroi: Taking Immersive Theatre to the Streets
  6. (Un)real City: Spatial and Temporal Ghosting in ANU Productions’ The Party to End All Parties
  7. Performing the City: Space, Movement, and Memory in O Ben’Groes at Droed Amser
  8. A Sense of Place: Staging Psychogeographies of the UK Housing Crisis
  9. Interrelating Necrocities and Borderscapes in the Migration Performances The Jungle, Lampedusa, and The Walk
  10. The Impossibility of Fleeing: The Deconstruction of Urban Space in Martyna Majok’s Cost of Living
  11. Place on Parade: Consumerism and Disidentification in the Parade Genre
  12. Criticising Capitalism in the City and on the Stage: The City Street Movement Occupy Wall Street and Tim Price’s Protest Song
  13. “Racism Isn’t Just Someone Shouting at You from a Passing Car”: Roy Williams in Conversation with Gemma Edwards
  14. “Violence, Ritual, and Space”: Aleshea Harris in Conversation with Julie Vatain-Corfdir and Jaine Chemmachery
  15. “Your Proscenium Is as High as the Sky”: Anne Hamburger in Conversation with Julie Vatain-Corfdir and Émilie Rault
  16. Walkshop Paris: Notes on a Creative Process with the Urban Landscape
  17. Dramaturgy and Design: A Roundtable Discussion with Anne Hamburger, Cristiana Mazzoni, and Andrew Todd
  18. Jeanette R. Malkin, Eckart Voigts, and Sarah J. Ablett, eds. A Companion to British-Jewish Theatre since the 1950s. London: Methuen, 2021, x + 259 pp., £103.50 (hardback), £35.95 (paperback), £82.80 (ebook PDF and Epub).
  19. Tiziana Morosetti, ed. Africa on the Contemporary London Stage. Cham: Palgrave Macmillan, 2018, xv + 246 pp., £99.99 (hardcover).
  20. Liz Tomlin. Political Dramaturgies and Theatre Spectatorship: Provocations for Change. London: Bloomsbury, 2019, viii + 205 pp. £85.00 (hardback), £28.99 (paperback), £26.09 (PDF ebook).
  21. Caridad Svich. Toward a Future Theatre: Conversations during a Pandemic. London: Bloomsbury, 245 pp., $26.95 (paperback), $90.00 (hardback), $24.25 (PDF ebook), $24.25 (Epub and Mobi ebook).
  22. Dom O’Hanlon, ed. Theatre in Times of Crisis: 20 Scenes for the Stage in Troubled Times. With an Introduction by Edward Bond. London: Bloomsbury, 2020, xxii + 296 pp., $30.02 (paperback), $25.16 (ebook PDF and Epub).
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Heruntergeladen am 15.9.2025 von https://www.degruyterbrill.com/document/doi/10.1515/jcde-2023-0007/html
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