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Published/Copyright: November 7, 2017

Published Online: 2017-11-7
Published in Print: 2017-10-27

© 2017 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Frontmatter
  2. Articles
  3. Staging Reverberations of Past Events: A Documentation and Analysis of the Poetics and Politics of Sibikwa Theatre’s Chapter 2, Section 9
  4. “Born in the Wrong Body:” The Articulation of Sexual Self-Perception in Sarah Kane’s 4.48 Psychosis
  5. Moving Women Centre Stage: Structures of Feminist-Tragic Feeling
  6. The Limits of the Goat Song in Edward Albee’s The Goat or Who is Sylvia?
  7. Between You and Me and the More-than-Human World: Ritual and Reference in Jez Butterworth’s The River
  8. Flying? Falling? – Conflicting Representations of Disability in Kevin Kerr’s Skydive (2007) and Brad Fraser’s Kill Me Now (2013)
  9. Mobile People, Weapons, and Data Streams; Mobile Audiences and Theatre Spaces: Rimini Protokoll’s Situation Rooms as a Globalised Theatre Experience
  10. Reviews
  11. Dorothy Chansky. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre. Iowa City: University of Iowa Press, 2015, 291 pp., $55 (paperback, PDF ebook).
  12. Áine Phillips, ed. Performance Art in Ireland: A History. London: Live Art Development Agency/ Intellect Books, 2015, 288 pp., £25.
  13. Sandra Umathum, and Benjamin Wihstutz, eds. Disabled Theater. Zurich: Diaphanes, 2015, vii + 245pp., € 24,95.
  14. Andy Lavender. Performance in the Twenty-First Century: Theatres of Engagement. London: Routledge, 2016, xii + 235 pp., £ 80 (hardback), £ 24.99 (paperback).Florian Malzacher, ed. Not Just a Mirror: Looking for the Political Theatre of Today. Berlin: Alexander Verlag/Live Art Development Agency, 2015, 195 pp., € 14.90 (paperback), € 9.99 (PDF ebook).
  15. Emma Creedon. Sam Shepard and the Aesthetics of Performance. Basingstoke: Palgrave Macmillan, 2015, xi + 199 pp., $90.00.
  16. Martin Middeke, Peter-Paul Schnierer, and Greg Homann, eds. The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury, 2015, vii + 384 pp., £70.
  17. Causey, Matthew, Emma Meehan, and Néill O’Dwyer, eds. The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real. Basingstoke: Palgrave Macmillan, 2015, v + 242 pp., $90.00 (hardback), $69.99 (PDF ebook).
  18. Maaike Bleeker, Jon Foley Sherman, and Eirini Nedelkopoulou, eds. Performance and Phenomenology: Traditions and Transformations. Routledge, 2015, x + 254 pp., £ 90.
  19. Cristina Delgado-García. Rethinking Character in Contemporary British Theatre: Aesthetics, Politics, Subjectivity. Berlin: De Gruyter, 2015, xii + 228 pp., € 99.95 (hardcover, PDF ebook).
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