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Peter Fifield and David Addyman (eds.). Samuel Beckett: Debts and Legacies: New Critical Essays. London: Bloomsbury, 2013, 244 pp., £ 58.50 (hardback), £ 19.99 (eBook).Katherine Weiss. The Plays of Samuel Beckett. Critical Companions. London: Methuen Drama, 2013, 286 pp., £ 50.00 (hardback), £ 16.99 (paperback).
Published/Copyright:
May 1, 2015
Published Online: 2015-05-01
Published in Print: 2015-05-01
© 2015 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Frontmatter
- Frontmatter
- Special Issue: Theater and History – Cultural Transformations
- Articles
- Introduction: Theater and History – Cultural Transformations
- Anthropo-Scenes: Theater and Climate Change
- ‘Provincializing’ Post-Wall Europe: Transcultural Critique of Eurocentric Historicism in Pentecost, Europe and The Break of Day
- Utopian Histories: Transforming Past Ideals in Stoppard’s Plays
- A Historiography of Protest and the Politics of Commemoration in Lucy Kirkwood’s Chimerica
- Je Me Souviens – Re/Writings of History in Contemporary Canadian Drama
- David Greig’s The American Pilot and Earlier Dramatizations of Political Hostage Takings
- Time and Temporalities in Contemporary British War Plays – Roy Williams’s Days of Significance and Owen Sheers’s The Two Worlds of Charlie F.
- Women and Historical Agency in Contemporary British Plays
- From History to ‘Ourstories’ in Martin Crimp’s Metanarratives
- Locating History on the Contemporary Stage
- Reviews
- Vicky Angelaki. The Plays of Martin Crimp: Making Theatre Strange. Houndmills, Basingstoke: Palgrave Macmillan, 2012, x + 228 pp., $ 85.00 (hardback); available as eBook.Clara Escoda Agustí. Martin Crimp’s Theatre: Collapse as Resistance to Late Capitalist Society. CDE Studies Volume 24. Berlin/Boston: de Gruyter, 2013, xi + 336 pp., $ 140.00 (hardcover or eBook), $ 210.00 (hardcover and eBook).
- Sophie Bush. The Theatre of Timberlake Wertenbaker. London: Bloomsbury Methuen Drama, 2013, viii + 337 pp., £ 16.99 (paperback and eBook).
- Peter Fifield and David Addyman (eds.). Samuel Beckett: Debts and Legacies: New Critical Essays. London: Bloomsbury, 2013, 244 pp., £ 58.50 (hardback), £ 19.99 (eBook).Katherine Weiss. The Plays of Samuel Beckett. Critical Companions. London: Methuen Drama, 2013, 286 pp., £ 50.00 (hardback), £ 16.99 (paperback).
- Anne Cremieux, Xavier Lemoine and Jean-Paul Rocchi (eds.). Understanding Blackness Through Performance: Contemporary Arts and the Representation of Identity. New York: Palgrave Macmillan, 2013, 282 pp., $ 90.00 (hardback).
- Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley. Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era. Studies in International Performance. Houndmills, Basingstoke: Palgrave Macmillan, 2013, xiii + 253 pp., $ 85.00 (hardback).
- Clare Wallace. The Theatre of David Greig. London: Bloomsbury Methuen Drama, 2013, ix + 259 pp., £ 50.00 (hardback), £ 15.29 (paperback).
- Gareth White. Audience Participation in Theatre: Aesthetics of the Invitation. Basingstoke: Palgrave Macmillan, 2013, x + 224 pp., $ 90.00 (hardback), $ 29.00 (paperback).
Articles in the same Issue
- Frontmatter
- Frontmatter
- Special Issue: Theater and History – Cultural Transformations
- Articles
- Introduction: Theater and History – Cultural Transformations
- Anthropo-Scenes: Theater and Climate Change
- ‘Provincializing’ Post-Wall Europe: Transcultural Critique of Eurocentric Historicism in Pentecost, Europe and The Break of Day
- Utopian Histories: Transforming Past Ideals in Stoppard’s Plays
- A Historiography of Protest and the Politics of Commemoration in Lucy Kirkwood’s Chimerica
- Je Me Souviens – Re/Writings of History in Contemporary Canadian Drama
- David Greig’s The American Pilot and Earlier Dramatizations of Political Hostage Takings
- Time and Temporalities in Contemporary British War Plays – Roy Williams’s Days of Significance and Owen Sheers’s The Two Worlds of Charlie F.
- Women and Historical Agency in Contemporary British Plays
- From History to ‘Ourstories’ in Martin Crimp’s Metanarratives
- Locating History on the Contemporary Stage
- Reviews
- Vicky Angelaki. The Plays of Martin Crimp: Making Theatre Strange. Houndmills, Basingstoke: Palgrave Macmillan, 2012, x + 228 pp., $ 85.00 (hardback); available as eBook.Clara Escoda Agustí. Martin Crimp’s Theatre: Collapse as Resistance to Late Capitalist Society. CDE Studies Volume 24. Berlin/Boston: de Gruyter, 2013, xi + 336 pp., $ 140.00 (hardcover or eBook), $ 210.00 (hardcover and eBook).
- Sophie Bush. The Theatre of Timberlake Wertenbaker. London: Bloomsbury Methuen Drama, 2013, viii + 337 pp., £ 16.99 (paperback and eBook).
- Peter Fifield and David Addyman (eds.). Samuel Beckett: Debts and Legacies: New Critical Essays. London: Bloomsbury, 2013, 244 pp., £ 58.50 (hardback), £ 19.99 (eBook).Katherine Weiss. The Plays of Samuel Beckett. Critical Companions. London: Methuen Drama, 2013, 286 pp., £ 50.00 (hardback), £ 16.99 (paperback).
- Anne Cremieux, Xavier Lemoine and Jean-Paul Rocchi (eds.). Understanding Blackness Through Performance: Contemporary Arts and the Representation of Identity. New York: Palgrave Macmillan, 2013, 282 pp., $ 90.00 (hardback).
- Denise Varney, Peter Eckersall, Chris Hudson and Barbara Hatley. Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era. Studies in International Performance. Houndmills, Basingstoke: Palgrave Macmillan, 2013, xiii + 253 pp., $ 85.00 (hardback).
- Clare Wallace. The Theatre of David Greig. London: Bloomsbury Methuen Drama, 2013, ix + 259 pp., £ 50.00 (hardback), £ 15.29 (paperback).
- Gareth White. Audience Participation in Theatre: Aesthetics of the Invitation. Basingstoke: Palgrave Macmillan, 2013, x + 224 pp., $ 90.00 (hardback), $ 29.00 (paperback).