Published Online: 2013-05-06
Published in Print: 2013-05
© 2013 Walter de Gruyter GmbH, Berlin/Boston
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Articles in the same Issue
- Masthead
- Introduction: Dissecting Bodies on Stage
- The Third Crisis: The Possibility of a Future Drama
- Staging Reality (beyond Representation): A Perplexing Bondian Body
- Programmable Bodies: Ayckbourn’s Robots and Churchill’s Clones
- Dead Bodies on Stage
- Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo
- Triumphant Physical Theatre: Undermining Ethics through the Body
- “The Shite of Dublin”: Body Metaphors, Biopolitics, and the Functions of Disgust in Sebastian Barry’s The Pride of Parnell Street and Gianina Cărbunariu’s Kebab
- Zombie Walks and Zombie Economics
- Staging Voices
- Blood, Guts, and Suffering: The Body as Communicative Agent in Professional Wrestling and Performance Art
- Staging the Phallus: Naked Boys Singing!
- Dealing with Bodies: The Corporeal Dimension in Sarah Kane’s Cleansed and Martin Crimp’s The Country
- Absent Body: Ravenhill’s Phenomenology of Carnality
- Words That ‘Matter’: Between Materiality and Immateriality of Language in Sarah Kane’s 4.48 Psychosis
Keywords for this article
corporeality,;
liveness,;
performativity,;
casting,;
pain
Articles in the same Issue
- Masthead
- Introduction: Dissecting Bodies on Stage
- The Third Crisis: The Possibility of a Future Drama
- Staging Reality (beyond Representation): A Perplexing Bondian Body
- Programmable Bodies: Ayckbourn’s Robots and Churchill’s Clones
- Dead Bodies on Stage
- Skin Deep, a Self-Revealing Act: Monologue, Monodrama, and Mixedness in the Work of SuAndi and Mojisola Adebayo
- Triumphant Physical Theatre: Undermining Ethics through the Body
- “The Shite of Dublin”: Body Metaphors, Biopolitics, and the Functions of Disgust in Sebastian Barry’s The Pride of Parnell Street and Gianina Cărbunariu’s Kebab
- Zombie Walks and Zombie Economics
- Staging Voices
- Blood, Guts, and Suffering: The Body as Communicative Agent in Professional Wrestling and Performance Art
- Staging the Phallus: Naked Boys Singing!
- Dealing with Bodies: The Corporeal Dimension in Sarah Kane’s Cleansed and Martin Crimp’s The Country
- Absent Body: Ravenhill’s Phenomenology of Carnality
- Words That ‘Matter’: Between Materiality and Immateriality of Language in Sarah Kane’s 4.48 Psychosis