Abstract
This article examines the visual interpretations of the Spirit in the Beatus illuminated manuscripts. This study will follow methods emerging in the discipline of visual criticism where visual art of biblical texts function like commentaries by offering visual interpretations. This study will investigate the visual interpretations of “John being in the Spirit” (Rev 1:10; 4:2; 17:3; 21:10) and the seven Spirits who are identified as the seven torches, the seven eyes, and the seven horns of the Lamb (Rev 1:4; 3:1; 4:5; 5:6) in the Beatus illuminated manuscripts.
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© 2023 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Allegory and Ambiguity in Late Antique Canon Lists
- The Artistic Character of the Spirit in the Beatus Tradition
- Jesus’ Descent from the Cross in Ancient and Medieval Reception
- Ecce Homo: John 19:5, a Portrait of Jesus and a Tangle of Stories
- Genre as Reception: A Multidimensional Network Approach
- Rabbi Jesus in Martin Luther’s Bible Translations
Articles in the same Issue
- Frontmatter
- Allegory and Ambiguity in Late Antique Canon Lists
- The Artistic Character of the Spirit in the Beatus Tradition
- Jesus’ Descent from the Cross in Ancient and Medieval Reception
- Ecce Homo: John 19:5, a Portrait of Jesus and a Tangle of Stories
- Genre as Reception: A Multidimensional Network Approach
- Rabbi Jesus in Martin Luther’s Bible Translations