Abstract
This article traces out the receptions of the Gospel accounts of the removal of Jesus from the cross (which has been variously titled the “deposition of Christ” or the “descent from the cross”). This scene is narrated only very briefly in the four canonical Gospels and receives very little attention in the commentary tradition. However, it does receive attention in creative retellings of the Gospel narratives in antiquity and the middle ages; whereas receptions of this scene are less frequent in antiquity, they explode in the high middle ages. Focusing on the Gospel of Peter, Nonnus of Panopolis’ poetic Paraphrase of John, and the Pseudo-Bonaventuran work Meditationes Vitae Christi, this article explores what might have interested these authors in Jesus’ descent from the cross, and then what these receptions teach us anew about the scene as narrated in the canonical Gospels.
Funding source: Social Sciences and Humanities Research Council of Canada
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Research funding: This work was supported by Social Sciences and Humanities Research Council of Canada.
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© 2023 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Allegory and Ambiguity in Late Antique Canon Lists
- The Artistic Character of the Spirit in the Beatus Tradition
- Jesus’ Descent from the Cross in Ancient and Medieval Reception
- Ecce Homo: John 19:5, a Portrait of Jesus and a Tangle of Stories
- Genre as Reception: A Multidimensional Network Approach
- Rabbi Jesus in Martin Luther’s Bible Translations
Articles in the same Issue
- Frontmatter
- Allegory and Ambiguity in Late Antique Canon Lists
- The Artistic Character of the Spirit in the Beatus Tradition
- Jesus’ Descent from the Cross in Ancient and Medieval Reception
- Ecce Homo: John 19:5, a Portrait of Jesus and a Tangle of Stories
- Genre as Reception: A Multidimensional Network Approach
- Rabbi Jesus in Martin Luther’s Bible Translations