Abstract
The Santa Barbara Bible (University of California, Santa Barbara, University Library MS BS 75 1250) was first introduced to scholarship in 1971 by Santa Barbara professor Larry Ayres. In the years since that pioneering study, art historians have advanced our knowledge of the place and date of the Bible’s production. Adding to that an understanding of commercial manuscript production in thirteenth-century Paris, the present article comes as close to clarifying the creation of this lovely book as current evidence allows.
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©2016 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Conflict, Encounter, and the Materiality of the Text: Christian and Jewish Sacred Texts in Europe and North America, c. 1250–1700
- Santa Barbara’s Thirteenth-Century Paris Bible: A Second Look
- When Solomon met Solomon: A Medieval Hebrew Bible in Victorian Cambridge
- Gog at Vienna: Three Woodcut Images of the Turks as Apocalyptic Destroyers in Early Editions of the Luther Bible
- Johannes Dietenberger and his Counter-Reformation German Bible
- “‘to subscribe unto GODS BOOK’: The Bible as Material Culture in Seventeenth-Century New England Colonialism”
- Book Review
- The Oxford Handbook of the Bible in Early Modern England, c.1530–1700
Artikel in diesem Heft
- Frontmatter
- Conflict, Encounter, and the Materiality of the Text: Christian and Jewish Sacred Texts in Europe and North America, c. 1250–1700
- Santa Barbara’s Thirteenth-Century Paris Bible: A Second Look
- When Solomon met Solomon: A Medieval Hebrew Bible in Victorian Cambridge
- Gog at Vienna: Three Woodcut Images of the Turks as Apocalyptic Destroyers in Early Editions of the Luther Bible
- Johannes Dietenberger and his Counter-Reformation German Bible
- “‘to subscribe unto GODS BOOK’: The Bible as Material Culture in Seventeenth-Century New England Colonialism”
- Book Review
- The Oxford Handbook of the Bible in Early Modern England, c.1530–1700