Startseite Stravinsky and U2 Fix Psalm 40
Artikel
Lizenziert
Nicht lizenziert Erfordert eine Authentifizierung

Stravinsky and U2 Fix Psalm 40

  • Andrew Zack Lewis EMAIL logo
Veröffentlicht/Copyright: 9. April 2015
Veröffentlichen auch Sie bei De Gruyter Brill

Abstract

This paper examines the reception of Psalm 40 by Igor Stravinsky in the second movement of his “Symphony of Psalms” and by U2 in their song “40,” the final track on their 1983 album War. Though both limit their reception to only the first three verses of the psalm, their appropriation of the text indicates two different interpretations of the psalm within the Canon. Stravinsky places the verses between the concluding verses of Psalm 39 and the entirety of Psalm 150, the result of which is a typical personal lament psalm made up of lament, petition, assurance, and praise—a very different structure than the canonical Psalm 40's assurance followed by lament. U2's appropriation, on the other hand, is arguably more faithful to the text of the canonical Psalm 40 in that its concluding lyrics hearken back to the harrowing opening track of their album, the “lament” “Sunday Bloody Sunday.” The paper concludes by arguing that both Stravinsky and U2 remain faithful to the spirit of the psalter as a whole by re-appropriating the words of the psalmist for each musician's own Sitz I’m Leben.


Corresponding author: Andrew Zack Lewis, Regent College – Biblical Languages, 5800 University Boulevard, Vancouver, British Columbia V6T2E4, Canada, e-mail:

Works Cited

Bono et al., with Neil McCormick. U2 by U2. London: HarperCollinsPublishers, 2006.Suche in Google Scholar

Briggs, Charles A., and Emilie Grace Briggs. 1907. A Critical and Exegetical Commentary on the Book of Psalms. Icc. Edinburgh: T&T Clark.Suche in Google Scholar

Childs, Brevard S. 1974. The Book of Exodus: A Critical, Theological Commentary. eds. Peter Ackroyd et al. Otl. Philadelphia: The Westminster Press.Suche in Google Scholar

Craigie, Peter C. 1983. Psalms 1–50. vol. 19, Wbc. Waco: Word Books.Suche in Google Scholar

Dahood, Mitchell. 1966. Psalms I. vol. 16, Ab. Garden City, NY: Doubleday.Suche in Google Scholar

Eaton, John H. 1975. Kingship and the Psalms. vol. 32, Studies in Biblical Theology. Naperville: Allenson.Suche in Google Scholar

Froese, Brian. 2005. “Comic Endings: Spirit and Flesh in Bono’s Apocalyptic Imagination, 1980–1983.” In Call Me the Seeker: Listening to Religion in Popular Music, edited by Michael J. Gilmour, 61–78. New York: Continuum.10.5040/9781501383335.0009Suche in Google Scholar

Goodman, William. 2012. “Assured Lament: U2 Sing the Psalms.” Relegere: Studies in Religion and Reception 2 (1): 109–32.10.11157/rsrr2-1-483Suche in Google Scholar

Grundmann, Anya. 2000. Npr 100: “The Most Important American Musical Works of the 20th Century: Symphony of Psalms”. Accessed July 12, 2009. http://www.npr.org/templates/story/story.php?storyId=1115988.Suche in Google Scholar

Hossfeld, Frank-Lothar, and Erich Zenger. 2005. Psalms 2: A Commentary on Psalms 51–100. trans., Linda M. Maloney. ed. Klaus Baltzer. Minneapolis: Fortress Press, 2005.Suche in Google Scholar

Kraus, Hans-Joachim. 1989. Psalms 1–59. trans., Hilton C. Oswald. Minneapolis: Augsburg Fortress.10.2307/j.ctv1hqdhvhSuche in Google Scholar

Pinkston, Dan. 2012. “U2 and Igor Stravinsky: Textures, Timbres, and the Devil.” Christian Scholars Review XLI (2): 147–162.Suche in Google Scholar

Ridderbos, Nic. 1965. “The Structure of Psalm Xl.” Oudtestamentische Studién 14: 296–304.Suche in Google Scholar

Sharen, Christian. 2006. One Step Closer: Why U2 Matters to Those Seeking God. Grand Rapids: Brazos Press.Suche in Google Scholar

Stravinky, Igor. 1948. Symphonie de Psaumes. Hawkes Pocket Scores. London: Boosey & Hawkes Music Publishers Ltd.Suche in Google Scholar

Stravinsky, Igor. 1963. Stravinsky Conducts Stravinsky: Symphony of Psalms. Toronto: CBS Masterworks.Suche in Google Scholar

Terrien, Samuel. 2003. The Psalms: Strophic Structure and Theological Commentary. Ecc. Grand Rapids: Eerdmans.Suche in Google Scholar

Thiselton, Anthony C. 2006. “Introduction: Canon, Community and Theological Construction.” In Canon and Biblical Interpretation, edited by Craig G. Bartholomew et al., 1–30. Milton Keynes: Paternoster Press.Suche in Google Scholar

Walsh, Stephen. 1999. Stravinsky: A Creative Spring: Russia and France 1882–1934. New York: Knopf.Suche in Google Scholar

Westermann, Claus. 1981. Praise and Lament in the Psalms. trans., Keith R. Crim and Richard N. Soulen. Edinburgh: T & T Clark Ltd.Suche in Google Scholar

White, Eric Walter. 1966. Stravinsky: The Composer and His Works. London: Faber and Faber.Suche in Google Scholar

Wilson, Gerald, H. 1985. The Editing of the Hebrew Psalter. Chico: Scholars Press.Suche in Google Scholar

Wilson, Gerald, H. 2002. “Psalms and Psalter: Paradigm for Biblical Theology.” In Biblical Theology: Retrospect & Prospect, edited by Scott J. Hafemann. Downers Grove, Ill: IVP.Suche in Google Scholar

Published Online: 2015-4-9
Published in Print: 2015-4-1

©2015 by De Gruyter

Heruntergeladen am 21.10.2025 von https://www.degruyterbrill.com/document/doi/10.1515/jbr-2015-0004/html
Button zum nach oben scrollen